The Jesi foundation continues its tireless quest of making Pergolesi operas available on video.
By Poison Ivy
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This DVD
of a Diana Damrau recital (accompanied only by the harpist Xavier de Maistre) is sure to please her legions of fans.
By Poison Ivy
Marc-Antoine Charpentier’s opera David et Jonathas, written for a celebration at a Jesuit school in 1688, premiered together with a Latin verse drama, Saul, now lost.
By Dawn Fatale
Strange as it is to encounter two such disparate works presented with the identical production concept, it’s odder still that the opera you’d think would be the slam dunk is anything but.
By Patrick Mack
I’ve long been a fan of Kenneth Branagh, even though this fandom feels a bit like being a camel in the desert.
By Patrick Mack
It may have taken most of Verdi’s canon to do it, but the “Tutto Verdi” collection finally manages to do justice to Verdi in his last two operas.
By scifisci
I’m happy to report that Rigoletto from the 30 DVD Tutto Verdi set from the Teatro Regio di Parma is a blockbuster
.
By Bill Naddle
Of all of Verdi’s operas. Aida is the one I find least interesting dramatically.
By grimoaldo
The Tutto Verdi series from the Teatro Regio Parma may be said to relate to the great Giuseppe Verdi’s oeuvre as the burning of the library at Alexandria did to classical literature.
By Patrick Mack
Name a Verdi opera, based on a play by Voltaire, described in the immortal words of the composer as “Questo e proprio brutto.”
By Bill Naddle
Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking form here.
By Patrick Mack
When I acquire DVDs of opera performances, I look for performances which truly merit a video recording; performances in which the totality of the musical and dramatic elements are worth preserving for repeated viewing.
By scifisci
In an ever-changing world it’s comforting to know that the Parmigiani of the Teatro Regio continue their campaign through the Verdi canon not unlike the Allied Forces’ rout of the Germans at the beginning of 1945.
By Patrick Mack
De Nederlandse Opera’s remarkable 2011 feat of premiering productions of Gluck’s Iphigénie en Aulide and Iphigénie en Tauride on the same day and virtually the same set has been issued on a 2-DVD set by Opus Arte
.
By Henson Keys
Giovanni Battista Pergolesi’s only opera for Rome was written to an existing libretto by the great Pietro Metastasio, L’Olimpiade, which had already been set by Vivaldi the year previously.
By Patrick Mack
On first hearing, Paul Dukas’ 1907 opera Ariane et Barbe-bleue (Ariane and Bluebeard) sounds like the love child of a three-way between Wagner, Strauss, and Debussy.
By Henson Keys
Those Romans! How decadent, how corrupt, how much fun!
By Poison Ivy
Say this about Oedipus: The character’s got staying power.
By Adriel
La Salustia was Giovanni Batista Pergolesi’s first opera, composed at the tender age of 21. In structure and storyline it’s a conventional baroque opera seria.
By Poison Ivy
That’s what it must have been like in 1726 London when Handel composed Alessandro for perhaps the three most famous (and expensive) singers of the day.
C-Major continues their full frontal attack on the Verdi catalogue with this release of I Masnadieri which, I’m thrilled to report, does not hail from the Teatro di Regio in Parma like the previous aspirants. We’ve travelled south to Naples and the Teatro di San Carlo and we’re all the better for it as the…
By Patrick Mack
Somewhere around the early 80’s, stage directors realized that the odious theatre practice of “audience involvement” was over.
By Henson Keys
Giovanni Battista Pergolesi’s best known opera is La Serva Padrona, but the Neapolitan composer also composed several other works, which are now lovingly presented on video by the Fondazione Pergolesi Spontini at Jesi.
By Poison Ivy
There’s that old joke; What’s the difference between opera and sex? Punchline; you can have good sex.
By Patrick Mack
