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Drama queen

Say what you will about Naxos, but this company has created a sizeable number of recordings of works on the periphery of the standard repertory and have managed to document quite a few interesting singers in the bargain-and at bargain prices.

By 41 comments

To the hilt

Marek Janowski’s second recorded Ring cycle began on an off note, with a Rheingold that was fleet and lucid but failed to impress in the important musical moments.

By 6 comments

Doing it again

The 19th century could not cope with Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School for Lovers)  with a libretto by Lorenzo da Ponte and music by Mozart, first presented in Vienna in 1790.

By 61 comments

Belief in a higher power

The behavioral phenomenon of limerence has been described as “an involuntary potentially inspiring state of adoration and attachment to a limerent object involving intrusive and obsessive thoughts, feelings and behaviors from euphoria to despair, contingent on perceived emotional reciprocation.”

Hi, honey, I’m gnome

Between Fidelio and Der Freischutz there was “Romantische Oper,” a type of musical drama descended from medieval mystery plays in which ghosts, gnomes and other “invisibles” get entangled in the lives of unsuspecting people.

By 8 comments

Veni, vidi, Vinci!

Not only cursed to bear a name nearly identical to that of one of the greatest geniuses who ever lived, Leonardo Vinci also had the misfortune to die just three months after the premiere of his greatest opera, reportedly murdered with a cup of poisoned chocolate at the age of 36.

By 18 comments

The sun also rises

If you’re the sort who prefers his diva to be an unapproachable sphinx prone to infuriating cancellations while radiating ennui, I suspect that the sunny, hard-working, grateful persona of American mezzo soprano Joyce DiDonato will not appeal to you at all.

By 20 comments

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