When Mojca Erdmann’s new debut CD for Deutsche Grammophon was reviewed in the September issue of Opera News, the disc’s cover art showed the lissome German soprano in a thin, revealing white dress, lying on a bed of roses.  The album was then called Mostly Mozart.  When that review questioned the titling, DG must have…

In the liner notes to his new Wagner CD, Rene Pape opines that performing the master’s work isn’t terribly different than performing Mozart. Both composers require singers to sustain a melodic line, manipulate vowels at the right moments and deploy dynamic gradations for dramatic effect. Call it German bel canto or natural speech, just don’t…

With his new CD release for Decca, The Maltese Tenor, Joseph Calleja clearly declares his ascension to the top level of the world’s lyric tenors.  The 15-selection program shows that his plaintive voice has matured and clarified, his emotional understanding of the music has deepened significantly, and his artistry has moved to a higher level. …

I’ll confess it. I am a bloodthirsty opera fan.  I’m not above judging the quality of a work by the size of the body count at the finale.  After sitting through Traviata or Boheme all evening I’m often disappointed when only one person dies in the last act. All the principals are dead at the…

I have been tossing and turning over La Cieca’s most recent assignment for me: a CD of Wagner’s Der Fliegende Holländer based on a performance live in concert from November 13, 2010.  The anxiety mainly stems from the fact that, horror to say, I am no Wagnerite.  I know that sect of opera buffs has…

In a post Jimmy Swaggart, Jim Bakker, and Jerry Falwell era and with politicians spouting that natural disasters are God’s way of telling us to reduce the national debt, Sinclair Lewis’ Elmer Gantry seems more prescient than even he probably intended. A satirical novel about the excesses of the evangelical movement in the early part…

“Gioia!” is the title of Aleksandra Kurzak‘s debut aria recital, her first international release under a new exclusive contract with Decca Music Group, and—not surprisingly—this writer’s response to the soprano’s sparkling vocalism.   In the liner notes, the Polish soprano explains that the title of this recording was her agent’s suggestion: “He said that he can…

While major stars like René Pape and Piotr Beczala had to wait until they were over 40 to record a solo aria CD, Julia Lezhneva has just done her first—and she’s only twenty-one!  After a drought, CD companies are issuing a surprising number of debut recitals; Nino Machaidze, Olga Peretyatko, Mojca Erdmann, and Aleksandra Kurzak…

I received a package in the mail this afternoon from La Cieca, and eagerly tore it open.  I knew that this was to be my parterre review assignment… rapture!  It was a CD of an opera: The Brothers composed by… George Antheil?  Who the fuck is that? After researching him for a bit, I got…

The centennial observances of Gustav Mahler’s death have not turned up a surfeit of newly discovered performances, probably because his symphonies and song cycles have long been a calling card for serious artists and record labels. Though the industry archives may be picked clean, the estates of dead musicians are at least starting to kick…

This Cleofide must have been conceived as a perfect target for haters of Italian baroque opera.  While many might (grudgingly?) acknowledge that Handel is indeed an important operatic composer, here we have a virtually unknown name often relegated to dusty music history books. Not only has no one ever heard (nor probably even heard of)…

Glyndebourne’s release of a live Rosenkavalier from 1965 longs to be loved and cherished by listeners.  Featuring a thrilling Traumcast composed of Montserrat Caballé, Otto Edelmann, Teresa Zylis-Gara, and Edith Mathis, one would certainly expect it to deserve much praise and admiration.  The sound quality is, however, a stunning disappointment.