Cher Public

The evil that men do

The Canadian Opera Company’s new production of Otello is a collection of welcome returns: the return of Verdi’s penultimate masterpiece after nine years, the return of principals Russell Thomas, Tamara Wilson and Gerald Finley, and the return of director David Alden.  Read more »

Sondra castle

“The sets and costumes do the trick without causing any concern of reckless spending.”

When the Canadian Opera Company announced a new (to the COC, anyway) production of Donizetti’s Anna Bolena staring soprano Sondra Radvanovsky in the title role, I admit that I wasn’t as excited as I had been by the announcement of her previous COC roles—Aida, Elisabetta (in Robert Devereux) and Norma.  Read more »

Girlhood, interrupted

"Follow the money."

“Follow the money.”

More than 80 years after its Dresden premiere, Arabella – the last collaboration by Richard Strauss and Hugo von Hofmannsthal – has finally made its way to the Canadian Opera Company, opening the 2017-18 season.  Read more »

The Riel thing

By virtue of its subject matter and the auspicious occasion of its commissioning, Louis Riel was destined to be iconic.

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Cards on the table

The Canadian Opera Company scored a coup when they secured Christine Goerke for the revival of their Ring productions over the last three seasons

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Sag, welch wunderbare Träume

First seen in 2005, Siegfried makes a welcome return as a stand-alone production this season.

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Myths, matched

“CanCon”, or Canadian Content, is always a concern in Canadian cultural discourse.

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