“Labels play a hugely important role in our listening lives.”
Wanna write for us? We’re accepting pitches.
Parterre Box welcomes pitches from all interested writers—even those not endowed quite as pictured.
Parterre Box welcomes pitches from all interested writers—even those not endowed quite as pictured.
Baritones: is there anything they don’t know?
Remember the disastrous 2010 Traviata at the Met, “conducted” by Leonard Slatkin?
“One of the most highly-regarded pianists of our time, Grigory Sokolov, has refused to accept the Cremona Music Award 2015 because it has previously been awarded to the blogger Norman Lebrecht.”
You know, the commenters at parterre.com (pictured) may get a bit testy from time to time, but at least nobody here says stuff like, oh, for example…
“Toilets occupy me a great deal because, well, this is England after all and they matter.”
La bohème is such a popular romantic opera that hardly anyone ever notices that Mimì and Rodolfo undergo what in modern terms would be called speed dating.
“Is Parsifal, then, a religious artwork, or is it a work ‘about’ religion?”
“After attending the dress rehearsal in London I wrote the following to Mr Carsen to give him the opportunity to make changes.”
On the occasion of “the greatest party for Classical Music on the planet,” the Last Night of the Proms, mezzo Joyce DiDonato quietly (but audibly) takes a stand for equality.
“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit…”
“Aus den Trümmern der zusammengestürzten Halle sehen die Männer und Frauen in höchster Ergriffenheit dem wachsenden Feuerschein am Himmel zu.”
Pick a little, talk a little
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
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