On this day in 1975 Rossini‘s Siege of Corinth had its American stage premiere at the Metropolitan Opera
These are my findings and opinions (and I welcome rebuttals)!
With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.
By the time Roberto Devereux saw its premiere at Napoli’s Teatro San Carlo on 29 October, 1837, Gaetano Donizetti had lost, in an 18-month time frame, both his parents, two still-born children, and his beloved wife Virginia.
Ms. Guy goes into detail about what made Sills a “magic” performer, recounting reactions of people across an extraordinarily broad socio-economic spectrum who discovered their love of opera and singing through her.
Sills at the peak of her powers and Handel’s 1743 secular oratorio make a perfect match.
Back when I was a good boy, I told my parents that my goal in getting my first job was to earn money for college; however, my real motive was to make my secret wish come true—to be able to consort with “pirates.”
Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing.
At Camille‘s request, here’s some all-American Bellini from our dear Jungfer Marianne Leitmetzerin: a live performance of I puritani from New York City Opera featuring Beverly Sills.
Tenor Michael Fabiano has been named the recipient of the ninth annual Beverly Sills Artist Award for young singers at the Metropolitan Opera.
Among the many reasons La Cieca has to be thankful: the legacy of Mike Richter on his CD-ROMs.