La voix surhumaine
Barbara Hannigan mesmerizes as both a brilliant vocalist and a proficient opera conductor in a double bill of Strauss and La voix humaine with the New York Philharmonic.
Barbara Hannigan mesmerizes as both a brilliant vocalist and a proficient opera conductor in a double bill of Strauss and La voix humaine with the New York Philharmonic.
Before her one-woman La voix humaine with the New York Philharmonic, Barbara Hannigan talks to Kevin Ng about her career, her artistry, and whether or not there’s a voice on the other line.
Last Thursday evening, pure virtuosity was on display at the Veterans’ Room of the Park Avenue Armory, courtesy of soprano Barbara Hannigan and pianist Bertrand Chamayou.
Although primarily known as a vanguard of the Downtown music scene, John Zorn’s artistic and intellectual ethos is at home at the decidedly Uptown institution of Columbia University.
At the Park Avenue Armory, Barbara Hannigan chose to sing works that tested her metal in odd corners of vocalism.
Barbara Hannigan‘s electrifying performance with the Juilliard Orchestra on Friday night proves that she is as much a force to be reckoned with on the podium as she is onstage.
All the more reason to admire the already splendiferous Barbara Hannigan as she gently and tactfully slaps down the obstreperous Norman Lebrecht.
“Trove Thursday” salutes Barbara Hannigan with an eclectic triple bill.
Could Barbara Hannigan be Joni Mitchell’s classical counterpart?
Few new operas have received the near-unanimous acclaim that has greeted Written on Skin since its first performance at the 2012 Aix-en-Provence Festival.
Live from the Bayerische Staatsoper this very afternoon, cher public, Bernd Alois Zimmermann‘s Die Soldaten, featuring the protean Barbara Hannigan.
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