Kent Nagano gives a boost to the Opéra national de Paris‘s revival of Nixon in China.
Les Brigands at the Paris Opera is an expensive joke that never lands
A double bill of rare Bizet works in Paris is not something any of us needs to do more than once
Some of my blog‘s habitués (they do exist) will know that I sometimes quote the people around me at the opera.
While everyone tries to figure out what on earth Strauss and Hofmannsthal are up to in Die Frau ohne Schatten, now playing at the Met, Chris’s Cache offers a later, simpler, shorter Strauss with three live broadcasts of his “bucolic tragedy” Daphne.
Following Gundula Janowitz and Janet Baker, Chris’s Cache sends birthday greetings to another favorite diva—Karita Matilla—with a quartet of broadcasts.
Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.
On Friday, MCal Performances—the performing arts organization based at University of California, Berkeley—presented the US premiere of South African multi-disciplinary artist William Kentridge’s Sybil, with music composed and conceived by Nhlanhla Mahlangu and Kyle Shepherd.
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
For those who complain (not entirely unfairly) that Handel operas are “just a string of da capo arias,” I sometimes mutter to myself, “Have they ever tried Rameau?”
In any case, we are now in the Queen’s garden of the Palace in Madrid. It is the day before the coronation of King Philip. Coronation? What coronation?
Ordinarily we’d be listening to Bayreuth Festival broadcasts this week but instead Trove Thursday steps up with a true Wagner rarity: Die Feen from the Wiener Staatsoper starring as Ada, the fairy in love with a mortal, Gundula Janowitz, who turns 83 on Sunday.
Trove Thursday marks Mozart’s 264th birthday on Sunday with the 14-year-old’s remarkable opera seria Mitridate, Re di Ponto .
“Berlioz Takes a Trip” proclaimed the free psychedelic buttons available at Carnegie Hall Monday referring to Symphonie Fantastique,the evening’s surefire crowd-pleaser.
“Trove Thursday” celebrates the thrilling Finnish soprano Karita Matilla in the ultimate diva role.
Now it’s time to grab Albert Einstein for a lengthy swim.
Only the grand forces of Lyric Opera could bring such power and life to this production of My Fair Lady.
“In my music, there’s not repetition. Something is always going on.”
Trove Thursday” presents Béatrice et Bénédict in a 2009 performance featuring Joyce DiDonato and Charles Workman and conducted by Sir Colin Davis.
Fosca, finalmente mia!
Karita Mattila is a gift to this planet.
After her marvelous Pat Nixon at the Théâtre du Châtelet two years ago, June Anderson returned there last Wednesday with pianist Jeff Cohen for a recital of French melodies and Broadway songs.
I suspect most New York City opera-lovers had long since given up hope that the fascinating soprano Anna Caterina Antonacci would ever return to their city.
Love grand opera but wary of a six o’clock curtain with five hours of music behind it? (And nothing is grander than Berlioz’s Les Troyens, eh?) Your dilemma has been solved. Show up at the Met at 7:30 or 8:00, whenever they have the first intermission.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.