The Pennsylvania Dutchman
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
Staatsoper
10 pieces since 2011.
10
pieces
16
years
All about her stepmother
A new recording by the London Symphony Orchestra is the latest landmark in a spring full of Janácek‘s Jenufa
The ultimate 101 course on how to handle fame and success
Artistic temperament she had, but not including self-centered megalomania. She was one of the most fully human individuals I have ever known.
Close as pages in a book
I had no idea whatsoever of the reality of the life of this strong, vibrant woman I had gotten to know, the traumas she suffered; the extent and the horror of her experiences was all very surreal to me.
The high and the mighty
Last Wednesday the 92nd Street Y presented the friendliest-ever episode of American Gladiators when Lawrence Brownlee and Michael Spyres continued their bel canto bromance with a delirious (almost) all-Rossini recital accompanied by Myra Huang.
Evensong
When Neil Shicoff celebrated the 40th anniversary of his 1975 stage debut as Ernani in Cincinnati, no one had any idea that it would, essentially, mark the end of his career. In 2014 he added the roles of Canio (at Wiener Staatsoper) and Calaf (at Volksoper Wien) to his repertoire to great acclaim.
Not since Ilium
As I mentioned in a previous post, one of my two favorite operas is Les Troyens,
Blow a kiss, take a bough
Richard Strauss’s many one-act operas make excellent concert programs, both for their length (usually under two hours) and the primary place each gives the orchestration, a specialty where Strauss’s brilliance seldom deserted him.
Blow’s job
Despite baby-steps over the years, America’s musical scene, especially opera, remains decidedly un-HIP. (HIP: “historically-informed performance,” also called “period performance.”) While European opera houses turn increasingly to “original instrument” orchestras and specialist singers for seventeenth and eighteenth century works, this rarely occurs in the US.
Maxed out
A documentary about the heldentenor Max Lorenz would seem to be an ideal prism through which to examine the moral ambiguities and trade-offs of artistic life in the Third Reich. The preeminent Siegfried, Tristan and Tannhauser of the Nazi era was considered so essential to the success of Bayreuth that Winifred Wagner told Hitler that […]
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
