Rachel Willis-Sørensen might be the greatest American soprano right now who doesn’t sing much in America.
The ailing and grief-stricken Pinkerton was shown to give his son a diary about his time in Nagasaki, and as Trouble read it, he (and the audience) was taken back in time as the story came to life, similar to the use of Pensieve in Harry Potter and the Goblet of Fire (Book 4).
A Trove Thursday Mega-Post © featuring the wonderful American soprano Erin Morley in Orff’s Carmina Burana and Richard Strauss’s Brentano Lieder, plus extended live excerpts from Handel’s Orlando, Mozart’s Die Entführung aus dem Serail, and Meyerbeer’s Les Huguenots.
Last night’s cast of Die Meistersinger at the Met, dominated by the irascible, unbeatable duo of Michael Volle and Johannes Martin Kränzle as Sachs and Beckmesser, did much to enliven Otto Schenk’s creaky, nearly 30-year-old production.
In the opera world, one of the pieces that underwent a multitude of changes in its reception was undoubtedly Richard Wagner’s longest and most Germanic opera, Die Meistersinger von Nürnberg.
“Though Mr. Herheim’s work is rigorous, it is also fun, and this Rusalka is serious but the opposite of dour.”
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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