Greek National Opera’s Medea in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
The Chicago Symphony Orchestra explores love and death in an intense, intelligent program featuring soprano Corinne Winters.
Ahead of their opening in Don Carlo in Dallas tonight, Christopher Corwin chats with Nicole Car and Étienne Dupuis — and offers a special edition of Chris’s Cache!
Salome sweeps in like a storm at the Lyric Opera of Chicago.
Juan Diego Flórez and Damiano Michieletto concoct an absinthe-fueled fever dream in a new DVD from The Royal Ballet and Opera and Opusarte.
As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.
Buoyed by a strong cast, The Metropolitan Opera continues its autumn bel canto streak with a winning revival of Donizetti’s La fille du regiment.
When Angela Meade and Michael Fabiano first sang Lucia together as students at AVA few would have predicted that they would go on to sing Turandot 16 years later.
Trouble in Tahiti and A Quiet Place in a performance recorded last fall in London
A North American debut of a respectable French Baroque ensemble, an ebullient presentation of La fille du régiment, and an afternoon soiree in Wine Country proved to be the hottest (yet affordable!) tickets around here this Summer.
Jacquelyn Stucker talks to Kevin Ng about repertoire, tearing down the Fach system, and what it takes to make music from baroque to George Benjamin her own.
A performance recorded this spring in London
A new recording by the London Symphony Orchestra is the latest landmark in a spring full of Janácek‘s Jenufa
Antonio Pappano leads a performance recorded in London last month
And a more recent live recording, this time from London featuring Sondra Radvanovsky and SeokJong Baek
Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series
Mark-Anthony Turnage‘s acclaimed new opera based on Thomas Vinterberg‘s film in a recent performance from Covent Garden.
Recent rapturous musings about Huw Montague Rendall and curiosity about Aigul Akhmetshina‘s return to the Met as Rosina in May have prompted the box to share a recent sample of the pair in “Dunque io son.”
Even if our monolingual American tourists can be the source of vexation for many a Parisian, our singers gave much for the city’s operagoers to admire this month in stylish productions of Semele at the Théâtre des Champs-Élysées and I Puritani at the Opéra Bastille.
While everyone tries to figure out what on earth Strauss and Hofmannsthal are up to in Die Frau ohne Schatten, now playing at the Met, Chris’s Cache offers a later, simpler, shorter Strauss with three live broadcasts of his “bucolic tragedy” Daphne.
Aside from a tour with the LSO this spring, this was, I believe, the only time Antonio Pappano would be conducting in the US this season. This made the concert at Symphony Hall a real treat.
Following Gundula Janowitz and Janet Baker, Chris’s Cache sends birthday greetings to another favorite diva—Karita Matilla—with a quartet of broadcasts.
Chris’s Cache celebrates the 91st birthday today of Janet Baker, one of my favorite singers.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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