Lisette Oropesa, Piotr Buszewski, and Luca Salsi feature in a rote revival of Michael Mayer‘s cloying production of La traviata.
Lise Davidsen, Michael Spyres, and Yannick Nézet-Séguin are astonishing in Tristan und Isolde at the Met, while Yuval Sharon‘s new production is anything but.
“Even Peter Gelb’s critics concede that he has had a long run of finding pots of gold,” says The New York Times of the Metropolitan Opera‘s dire money troubles. “But is he running out of rainbows?”
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
A messy new I puritani at the Met is a historic and historical disappointment.
Are today’s stars enough to sustain Andrea Chénier?
Second casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.
Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.
Buoyed by a strong cast, The Metropolitan Opera continues its autumn bel canto streak with a winning revival of Donizetti’s La fille du regiment.
Parterre Box features an exclusive sample of Lawrence Brownlee‘s jump-in performance in La sonnambula from this weekend
A new production of La sonnambula at the Metropolitan Opera is musically charming if dramatically confounding.
The Amazing Adventures of Kavalier & Clay was, somehow, a fun night at the opera—just not one that felt specifically operatic.
When Angela Meade and Michael Fabiano first sang Lucia together as students at AVA few would have predicted that they would go on to sing Turandot 16 years later.
The moral stench seeps through Peter Gelb‘s decision to partner with the Saudi government, but what new sources of funding for the Met don’t have red flags?
Richard Lynn bravely asks what we’re hoping to get out of the continued Peter Gelb-bashing — and whether our expectations of him have ever been fair
Claudio Abbado made his Met debut on 7 October 1968 conducting Verdi’s Don Carlo, led five more performances through 14 November, and then never returned. Chris’s Cache offers the only complete recording I’ve run across from that run.
The final Saturday Matinee Broadcast of the 2024-25 season, live from New York
The final live weeknight broadcast of the 2024-25 season from New York
A live broadcast from New York
The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters
Rachel Willis-Sorensen is the winner of the 2025 Beverly Sills Award, per the Met press office
John Adams‘s newest opera in a live broadcast from New York
A live broadcast from New York
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
