Erste Brautnacht Erste Brautnacht

Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.

Doublet trouble Doublet trouble

A messy new I puritani at the Met is a historic and historical disappointment.

To be a poet is a condition To be a poet is a condition

Are today’s stars enough to sustain Andrea Chénier?

The replacements The replacements

Second casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.

“An opportunity to deliver” “An opportunity to deliver”

Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.

Avec la victoire, l’instant du bonheur Avec la victoire, l’instant du bonheur

Buoyed by a strong cast, The Metropolitan Opera continues its autumn bel canto streak with a winning revival of Donizetti’s La fille du regiment.

Rock ‘n’ Tyrol Rock ‘n’ Tyrol

Parterre Box features an exclusive sample of Lawrence Brownlee‘s jump-in performance in La sonnambula from this weekend

Ain’t no mountain high enough Ain’t no mountain high enough

A new production of La sonnambula at the Metropolitan Opera is musically charming if dramatically confounding.

Storybored Storybored

The Amazing Adventures of Kavalier & Clay was, somehow, a fun night at the opera—just not one that felt specifically operatic.

Reunited and it feels so good Reunited and it feels so good

When Angela Meade and Michael Fabiano first sang Lucia together as students at AVA few would have predicted that they would go on to sing Turandot 16 years later.

Peter’s arabian nights Peter’s arabian nights

The moral stench seeps through Peter Gelb‘s decision to partner with the Saudi government, but what new sources of funding for the Met don’t have red flags?

Jaundiced view Jaundiced view

Richard Lynn bravely asks what we’re hoping to get out of the continued Peter Gelb-bashing — and whether our expectations of him have ever been fair

I, Claudio I, Claudio

Claudio Abbado made his Met debut on 7 October 1968 conducting Verdi’s Don Carlo, led five more performances through 14 November, and then never returned. Chris’s Cache offers the only complete recording I’ve run across from that run.

The Queen of Spades The Queen of Spades

The final Saturday Matinee Broadcast of the 2024-25 season, live from New York

Antony and Cleopatra Antony and Cleopatra

The final live weeknight broadcast of the 2024-25 season from New York

Il barbiere di Siviglia Il barbiere di Siviglia

A live broadcast from New York

La bohème La bohème

A live broadcast from New York

Many happy returns Many happy returns

The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters

Entrance of the Willis Entrance of the Willis

Rachel Willis-Sorensen is the winner of the 2025 Beverly Sills Award, per the Met press office

Antony and Cleopatra Antony and Cleopatra

John Adams‘s newest opera in a live broadcast from New York

The Queen of Spades The Queen of Spades

A live broadcast from New York

Sweet birds of youth Sweet birds of youth

Buoyed by a cast of emerging stars, the Metropolitan Opera’s revival of Il Barbiere di Siviglia asserted a key trait of this ubiquitous buffo: it is a young person’s opera.

Salome Salome

A live broadcast from New York

Up stares, down stares Up stares, down stares

Ahead of tomorrow’s Live in HD, Michael Steinberg talks Leonore, Salome, and the “endemic misogyny” of Claus Guth‘s new production