On Saturday at Alice Tully Hall, Julliard 415, the school’s top-flight period-instrument ensemble, was joined by students from the Marcus Institute for Vocal Arts and Juilliard Drama for a rare semi-staging of King Arthur.
Next Wednesday is the composer’s 337th birthday, so Trove Thursday previews this spring’s most enticing Handel performance with two very different live versions of his delightful Serse,.
November in New York hosts two premieres dedicated to mythology’s greatest musician, which prompts Trove Thursday to present a vintage Monteverdi L’Orfeo with Judith Raskin and Gérard Souzay conducted by Leopold Stokowski (!) and a recent HIP London broadcast of Luigi Rossi’s L’Orfeo.
By an astounding coincidence, on Monday night Handel’s third and fourth extant operas were being performed simultaneously across the street from each other at Lincoln Center.
In recent weeks local and visiting groups performed refreshing rarities by Zelenka, Domenico Scarlatti and Telemann so engagingly that one didn’t miss the old standbys at all.
“Trove Thursday” marks St. Cecilia’s Day with two works by Henry Purcell, the composer who often celebrated music’s patron saint.
I had my head in my hands groaning in disbelief instead of joining in the general applause around me.
Thursday evening Piramo e Tisbe demonstrated that its assembled forces were the little opera theatre of ny that could.
On Saturday Juilliard 415 welcomed the sterling 10-member Belgian group Vox Luminis for a striking program of “Handel in Rome.”
New York fans of 17th century Italian vocal music should be rejoicing this month.
An opera revolving around chastity vows, adultery, slut-shaming, lesbianism, transvestism and much more!
William Christie’s Les Arts Florissants made a much-anticipated appearance at Lincoln Center’s White Light Festival Saturday performing Theodora.
Although she began her career nearly 25 years ago recording and performing lots of baroque music, I was surprised to see German soprano Dorothea Röschmann promoted as the star attraction of an all-Purcell concert Sunday at Carnegie Hall.
For many in New York and around the world, if the name William Christie appears on a concert or opera program, it’s a must-attend.
Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.
Lincoln Center hosted two milestones this week.
Rule Britannia? Often during the Olympics that famous number from Thomas Arne’s 1740 Alfred echoed in my ears.
Almost exactly one hundred years ago on March 18, 1912, the Metropolitan Opera gave its final performance to date of Armide.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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