I had too much to dream last night
Trove Thursday previews next week’s BBC Proms presentation of Elgar’s The Dream of Gerontius with a 2008 broadcast conducted by Colin Davis with Sarah Connolly, Ben Heppner and Gerald Finley.
Sarah Connolly
18 pieces since 2010 — in 10 roles, at 4 companies, most often at Metropolitan Opera.
18
pieces
10
roles
4
companies
17
years
By role
Role Angel
Role Brangäne
Sex please: we’re British
The finer performances of Tristan und Isolde have a way of sounding like a four-hour improvisation, the fruit of a single moment of inspiration that makes one forget how emotionally manipulative and painstakingly crafted the music really is.
By Adriel
7 comments
Role Cesare
I’m still thinking about David McVicar’s Giulio Cesare
With Cesare’s old-school rules of war set spinning by Cleopatra’s Bollywood-inspired manipulations, a Da Capo aria has never felt more dangerous
By Baritenor
Comment
Role Clairon
If I only had a harp
Capriccio skates along on a fine line between a fascinating idea-driven debate about the purpose of art in the wider world and a rather fussy narrow debate about text and music interesting only to those interested in opera as theatre.
Role Composer
Some day her prince will come
I checked back in on the Met’s revival of Ariadne auf Naxos yesterday, after a messy first night one week ago that left much to the imagination. Tenor Lance Ryan had been sick that night, and the cover who took his place was not much healthier, throwing the whole cast into a panic mode that […]
Role Gertrude
Resisting the recognizable
It was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.
Role Irene
Theodora goes wild
Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.
Role Komponist
Composer’s intentions
A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.
Role Nerone
Stealing Rome
L’incoronazione di Poppea nearly disappeared from the stage completely after its 1642 Venice premiere and a Naples revival in 1651.
Role Serse
A place in the shade
Next Wednesday is the composer’s 337th birthday, so Trove Thursday previews this spring’s most enticing Handel performance with two very different live versions of his delightful Serse,.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
