18 pieces since 2010 — in 10 roles, at 4 companies, most often at Metropolitan Opera.
1 piece as Brangäne — stats above show all coverage for Sarah Connolly.
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The finer performances of Tristan und Isolde have a way of sounding like a four-hour improvisation, the fruit of a single moment of inspiration that makes one forget how emotionally manipulative and painstakingly crafted the music really is.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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