Voi foste, io vi perdei
Christopher Corwin remembers the late soprano Ileana Cotrubas — and shares some archival recordings of her in Bellini, Tchaikovsky, Leoncavallo, and Gounod.
14 pieces since 2011 — at 3 companies, most often at Glyndebourne Festival Opera.
Christopher Corwin remembers the late soprano Ileana Cotrubas — and shares some archival recordings of her in Bellini, Tchaikovsky, Leoncavallo, and Gounod.
Chris’s Cache celebrates the 91st birthday today of Janet Baker, one of my favorite singers.
Monteverdi’s late Homeric masterpiece Il Ritorno d’Ulisse in Patria isn’t often performed in the United States.
Last night should have seen my favorite of this season’s revivals but instead Trove Thursday must step up with Jean-Marie Leclair’s irresistibly captivating Scylla et Glaucus conducted by Christophe Rousset.
Trove Thursday acknowledges the late Raymond Leppard‘s important influence with a live broadcast of his seminal “realisation” of Cavalli’s L’Ormindo plus some Cavalli and Monteverdi tidbits with Janet Baker.
“Trove Thursday” presents Purcell’s remarkably concise Dido and Aeneas in a pair of fascinatingly different interpretations.
Teatro Real continued their 200 years’ celebration by premiering a piece that they have never done before, Francesco Cavalli’s opera La Calisto.
“Trove Thursday” pays tribute to the great German bass Kurt Moll
Thanks to the generosity of a parterre reader, “Trove Thursday” presents a rare recording from the famed Carnegie Hall series curated by Matthew Epstein to commemorate Handel’s tercentenary.
An opera revolving around chastity vows, adultery, slut-shaming, lesbianism, transvestism and much more!
Back when I was a good boy, I told my parents that my goal in getting my first job was to earn money for college; however, my real motive was to make my secret wish come true—to be able to consort with “pirates.”
Gotham Chamber Opera stumbled so badly Friday night with Francesco Cavalli’s 1668 Eliogabalo at The Box, it was hard to know whether to feel sad or angry—or both.
Rule Britannia? Often during the Olympics that famous number from Thomas Arne’s 1740 Alfred echoed in my ears.
Noticing how often she turns up lately, one might guess that the operatic “heroine” for the global economic crunch is Medea, the mythological Greek sorceress and filicide.
Joyce DiDonato enjoys the rare cachet of having three studio-recorded operas released in the past three years while other famous divas must be content with “just” DVDs. Although two of Renée Fleming’s Violettas have found their way onto video in less than five years (why??), “the people’s diva” has only recorded one studio opera in […]
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