Strawberry blonde forever
The Met Orchestra Chamber Ensemble’s Das Lied von der Erde skirts the sublime at Carnegie Hall
21 pieces since 2007 — in 10 roles, at 7 companies, most often at Metropolitan Opera.
The Met Orchestra Chamber Ensemble’s Das Lied von der Erde skirts the sublime at Carnegie Hall
Our Own Gualtier Maldè reports: The Met’s orchestra and audience have found a new conductor to love: Daniel Barenboim.  The debutante conductor got a huge ovation before he even lifted his baton. Lots of applause for Danny B. all night from an adoring audience including a generous amount at his final bow. There was lots of touchy feely […]
Christine Goerke‘s distracted, tentative Isolde turned out to be the least potent feature of what was an otherwise exciting and effective second act of Tristan.
Patrice Chéreau, the humanist in provocateur’s clothing, returned to Wagner in 2007 at La Scala with Daniel Barenboim and Waltraud Meier.
Introducting a new guest critic, Giulia Grisi, who blogs regularly for “Il Corriere della Grisi.” La Scala’s 2007-8 opera season opened last night (December 7) with a new production of Tristan und Isolde. The Milanese theatre hadn’t presented Wagner’s masterpiece since 1978, when Carlos Kleiber‘s masterful interpretation became an instant classic, in spite of a […]
[La Cieca is happy to present a guest review by Our Own Lindoro Almaviva.] Cincinnati Opera makes a good case for the 4 act version of Don Carlo. I think it is a great idea that they used projected titles to give us the background of the opera (since we lose the Fontainebleau scene). This […]
Das Rheingold is the outlier among the Ring operas, an ensemble work with a fast-shifting plot, animated dialogue, fewer set pieces and less character development.
Elza van den Heever and Peter Mattei (and the stage elevator) elevate an assertive, if not definitive, new Salome at the Met
Bay Area audiences starved for vocal fare during its opera’s winter/spring hiatus recently experienced two exceptional concerts with distinguished singing at the Davies Symphony Hall.
This week, Our Own Jungfer Marianne Leizmetzerin presents what is perhaps the briefest Bühnenweihfestspiel on record.
The symbolism and themes of suffering and redemption in Parsifal have provided catnip for more than a few oddball stagings filled with Regie excesses.
I never thought I’d see the day when Giuseppe Verdi and Benjamin Britten would battle it out for musical superiority but that’s exactly what happened in Los Angeles this year.
Although the season is less than three weeks old, Metropolitan Opera audiences may hear nothing else this season as beautiful as Peter Mattei’s “Song to the Evening Star.”
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