Thoughts on La Forza del destino: recordings
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
43 pieces since 2008 — in 11 roles, at 6 companies, most often at Teatro alla Scala.
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
Quite simply, the singers are not around today who are steeped in the tradition of verismo, or for that matter the later part of the 19th century.
In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.
On this day in 1958 the Metropolitan Opera opened its season with Tosca, featuring Renata Tebaldi, Mario del Monaco and George London.
There were, of course, other Chénier recordings beyond the truly great ones…
The second half of Warner Classics’ Maria Callas Live Remastered set represents the years 1954 to 1964 in the career of La Divina.
Yes, there were other Giocondas if not of quite the same distinction. Chronologically…
“Trove Thursday” ushers in February with Catalani’s La Wally with a mountain-top cast of Renata Tebaldi, Renata Scotto, Mario del Monaco, Giangiacomo Guelfi and Giorgio Tozzi conducted by Carlo Maria Giulini.
It’s time to add more legends to my Mixcloud site: Mario Del Monaco, Raina Kabaivanska, and Tito Gobbi star in this 1962 performance of Otello from Covent Garden led by Georg Solti.
While Harry Rose finishes his senior thesis on Gabriele d’Annunzio, Trove Thursday joins in his fascination with Dante’s damned adulteress with two settings (both from Amsterdam!) of Francesca da Rimini.
On this day in 1956 the Metropolitan Opera opened its season with Maria Callas in Norma.
Trove Thursday presents Alzira—derided by some as Verdi’s worst opera—in a 1968 Carnegie Hall concert with Gianfranco Cecchele, Louis Quilico (star of last night’s Met Rigoletto stream) and Elinor Ross, who died in March at age 93.
We approach, beloveds, as unto a shrine, for these are no ordinary performances.
On this day in 1951 the Metropolitan Opera opened its season with a new production of Aida.
On Thursday June 30th, San Francisco Opera closed their summer season with a one-night-only special concert celebrating Eun Sun Kim’s first season as the Caroline H. Hume Music Director, in an aptly named concert “Eun Sun Kim Conducts Verdi.”
All the daring and imagination of La Divina’s live work, particularly in the early years, is revealed in Warner Classics’ Maria Callas: The Live Recordings.