Down for the Count
An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
37 pieces since 2010 — in 18 roles, at 9 companies, most often at Metropolitan Opera.
14 pieces as Metropolitan Opera — stats above show all coverage for Luca Pisaroni.
View allAn uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
Saturday’s performance of Così fan tutte demonstrated that even the cool, acerbic wit of Mozart’s most controversial comedy can warm our hearts in these icy winter months.
Saturday afternoon’s performance of Le Nozze di Figaro at the Met was awash with contradictions.
I was shocked to realize I hadn’t seen Don Giovanni at the Met since Michael Grandage’s stultifying production opened in 2011.
A 1985 broadcast of Don Giovanni featuring Cheryl Studer, Gundula Janowitz (as Elvira!), Krisztina Laki, Gösta Winbergh, Hermann Prey (in a rare outing as the Don) and Malcolm King conducted by Jeffrey Tate.
It was odd, if not downright uncomfortable, to watch Le Nozze di Figaro at the Metropolitan Opera.
Pretty Yende was still hanging around after her last Barbiere and she knows the role of Elvira, having sung it in Zurich last June.
Someone—a deranged purist no doubt—heckled Javier Camarena from the balcony of the opera house for withholding the infamous high F during “Credeasi, misera.”
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
The Met stage was filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.
I completely missed The Enchanted Island during the Met’s 2011-12 season, both in the house and in the HD presentation. Even on Sirius, I had only heard snippets of the performance.
The New Year’s Eve gala at the Met ushering out 2011 was the world premiere of the much-anticipated mash-up The Enchanted Island AKA “baroque opera for those who hate (or at least don’t know) baroque opera.
After today’s Met dress rehearsal of The Enchanted Island, La Cieca’s spy (pictured) reports: “You would think that if they had the entire Baroque canon to mine, they would’ve chosen music that wasn’t slow, dull, and long. In Peter Gelb‘s opening remarks, he called it ‘the Met’s Baroque Coming Out party,’ which makes me think this entire endeavor was […]
Barihunk Mariusz Kwiecien injured his handsome back during today’s dress rehearsal of Don Giovanni at the Met and was taken to the hospital, tweets Dan Wakin. As La Cieca writes this, Kwiecien’s cover Dwayne Croft is at the Met rehearsing the opera’s first act swordfight.
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