Someday she’ll come along, the girl I love
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
54 pieces since 2006 — in 8 roles, at 6 companies, most often at Metropolitan Opera.
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
Today’s Trove Thursday was originally scheduled for February 27, which would have been Mirella Freni’s 85th birthday, but instead we remember today the beloved soprano who passed away this past weekend in Puccini.
Arabella with Wolfgang Sawallisch conducting a prime-time 1980s Munich cast.
American soprano Gianna Rolandi died Sunday morning, according to a number of her friends and colleagues. She was 68.
On this day in 1974 soprano Kiri Te Kanawa made an “emergency” Met debut as Desdemona and her broadcast debut
Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.
Defying a computer breakdown and an online outage, I fled to a smoky Iranian Internet café to upload this performance of Don Giovanni. It was worth the trouble.
Following last week’s multiple versions of three prime concert arias, Chris’s Cache concludes its Mozart month by offering more of those special vocal works, this time twenty-five arias for mezzo, tenor or bass, as well as more for soprano.
“Trove Thursday” offers Così fan tutte with Pilar Lorengar, Josephine Veasey, Lucia Popp, Luigi Alva and Kieth Engen with Georg Solti conducting.
Our selected Rosenkavalier video overview closes out the 20th-century selections, crosses the millennial mark, and includes the first of our performances to depart from the opera’s prescribed 18th-century setting.
It’s easy to see why the Met has chosen to include this 1982 performance of Der Rosenkavalier in their James Levine: Celebrating 40 Years at the Met – DVD Box Set: the marathon evening is a triumph for Levine from the frenzied blend of waltz melodies in the overture to the final, birdsong-like notes of […]
Saturday evening Kiri te Kanawa sang the first of her final two Marschallins at the Cologne Opera House. The reason for this rather unexpected return to one of her signature parts seems to have been a sentimental one:
This year’s Salzburg Festival opens Saturday with a new production of Mozart’s Die Zauberflöte, an opera often performed elsewhere in translation, so “Trove Thursday” offers two for the price (!) of one.
Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.
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