Old wife’s tale Old wife’s tale

Pénélope at the Bayerische Staatsoper’s summer festival spotlights the crossroads between the nostalgic and the progressive.

A favorite Mozart performance from TildyDiva A favorite Mozart performance from TildyDiva

Mozart’s Le Nozze di Figaro, Paris 1980: Georg Solti, Lucia Popp, José Van Dam, Gundula Janowitz, Gabriel Bacquier, Frederica Von Stade.

Afraid of their own shadows Afraid of their own shadows

Later this month the Met at last revives its striking Herbert Wernicke production of Die Frau ohne Schatten, prompting a Chris’s Cache preview of three live recordings of Strauss and Hofmannsthal’s fanciful if knotty masterpiece.

All dolled up All dolled up

When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.

Utterly unique, occasionally off-putting Utterly unique, occasionally off-putting

Chris’s Cache wishes Gundula Janowitz a happy 87th birthday today with three early live broadcasts of a favorite soprano in works by Pergolesi, Haydn, and Schumann.

I would they had changed voices too! I would they had changed voices too!

Chris’s Cache follows up its Gounod R&J installment with a widely varied quintet of additional Romeos and Juliets

Distinctive and unreservedly commendable Distinctive and unreservedly commendable

My sole live encounter with Seiji Ozawa coincided with his final appearances at the Metropolitan Opera, where he conducted its 2008 revival of Tchaikovsky’s Pikovaya Dama.

Donna Anna and the Dynamos Donna Anna and the Dynamos

The new Opera News section of OPERA magazine already seems to be getting smaller, but the March issue features a long interview with Carol Vaness about Donna Anna.

Act two Act two

Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.

Everything sacred Everything sacred

Wrapping up Diva November, Chris’s Cache offers two sacred works that couldn’t be more unalike.

Behold the happy pair Behold the happy pair

Beverly Sills and Renée Fleming perform 30 years apart the same work with the same orchestra in the same venue!

Back to baroque Back to baroque

The always elegant Véronique Gens has recently returned often to her earliest roots in the French baroque.

The favorite The favorite

Gabriela Benacková, one of Trove Thursday’s favorite sopranos, turns 75 tomorrow, so we celebrate with two rare complete Verdi portrayals.

Desperate housewife Desperate housewife

As New Yorkers swelter in the Fahrenheit 90s. Trove Thursday escapes to wintry Vienna 1920s for Richard Strauss’s Intermezzo (in English) sumptuously conducted by Julius Rudel and starring the incomparable Elisabeth Söderström as the delicious, exasperating wife of Alan Titus.

Dies irae, dies illa Dies irae, dies illa

Trove Thursday offers Mozart’s Requiem with Lucia Popp, Christa Ludwig, Peter Schreier and Walter Berry conducted by James Levine from the 1981 Salzburg Festival.

Idol gossip Idol gossip

During the 70s, Kiri Te Kanawa, particularly singing Mozart, became one of my favorite singers.

Spouse of pain Spouse of pain

Dame Janet Baker turns 87 tomorrow and Trove Thursday celebrates with Handel’s rare Admeto conducted by the great Sir Anthony Lewis in which Baker’s bold Alceste vies with Sheila Armstrong’s sparkling Antigona for her deluded husband Admeto’s affections.

Poisons of interest Poisons of interest

Trove Thursday uncovered two broadcasts of Donizetti’s Lucrezia Borgia that share a fascinating nexus: in each an enduring superstar tenor—José Carreras/Alfredo Kraus—is poisoned by a soon-to-vanish rising-star soprano—Vasso Papantoniou/Margarita Castro-Alberty.

Anyone’s daughter Anyone’s daughter

One of the more unfortunate losses from the Met’s closure is its revival of Simon Boccanegra, so Trove Thursday steps up with a 1975 Berlin performnace of Verdi’s dark masterpiece with Ingvar Wixell, Gundula Janowitz, José van Dam and Bruno Prevedi.

Prophet center Prophet center

Trove Thursday couldn’t wait until Passover to offer Mendelssohn’s Elijah featuring two of my favorite singers, Gabriela Benacková and José van Dam, joined by Florence Quivar, Francisco Araiza and Thomas Moser.

The other woman The other woman

I can’t think of an opera this year that I’ve enjoyed as much as Tuesday’s Met Macbeth, thanks especially to the smashing house debut of Italian soprano Anna Pirozzi as its blazing Madame M.

House of the setting sun House of the setting sun

When a work is named for its lovers one might legitimately expect that pair to dominate its performance but in my experience that is never the case with Debussy’s Pelléas et Mélisande.

Tragically Hippolyte Tragically Hippolyte

I had my head in my hands groaning in disbelief instead of joining in the general applause around me. 

Melody and more Melody and more

The arrival of a new recording of Giuseppe Verdi’s Otello into the catalogue, to say nothing of a new tenor capable of singing Otello, is generally cause for hosannas all around in operatic circles.