Opening doors Opening doors

Real estate is hot along the Acela corridor right now: as proof, Judith will have toured at least three castles in New York and Boston between this spring and last.

Christian science monitored Christian science monitored

In any case, we probably got as good a Tannhäuser cast as could be assembled these days.

Desert island diva Desert island diva

This sterling revival shows the Metropolitan to be surviving well and in good shape.

Sachs appeal Sachs appeal

Last night’s cast of Die Meistersinger at the Met, dominated by the irascible, unbeatable duo of Michael Volle and Johannes Martin Kränzle as Sachs and Beckmesser, did much to enliven Otto Schenk’s creaky, nearly 30-year-old production.

Witch hunt Witch hunt

Later this month Asmik Grigorian will star in Covent Garden’s new Jenufa, which Trove Thursday anticipates presenting the acclaimed Lithuanian soprano in a broadcast from 2014 of Tchaikovsky’s rare opera The Enchantress (Charodeyka).

Wait and see Wait and see

Erwartung and Bluebeard’s Castle returned to Lincoln Center Thursday night in a musically scintillating if theatrically mild double-bill by the New York Philharmonic.

Burning woman Burning woman

I count myself as privileged to have witnessed Götterdämmerungat the Royal Opera House during this season’s revival of Keith Warner’s Ring.

Battle of the network tsars Battle of the network tsars

For all their orchestral and vocal attractions, Nikolai Rimsky-Korsakov’s 15 operas are rarities in the West.

Meadow festival Meadow festival

Beneath the pageantry, the paeans to German art and the self-referential allusions to the creative process, Die Meistersinger is a story about a community and human qualities like love, friendship, envy and hatred.

Sachs appeal Sachs appeal

Opera’s Scottish enfant terrible David McVicar has applied his considerable skills in this 2011 Glyndebourne production of Die Meistersinger, the result being a refreshing new take on a familiar warhorse.

Plain and fancy

This mostly wonderful performance of Handel’s Theodora opened the 2009 Salzburg Festival in honor of the 250th anniversary of the composer’s death. Written at the beginning of the last decade of the composer’s life, it was a work that he held in very high regard even though he knew its subject matter would not excite. Only…