John Danaher pays an operatic tribute to the writings of James McCourt, an author who captured the spirit of opera as queer and dangerous like no other.
Readers, writers, and stars reflect on the 30th anniversary of “the most essential blog in opera” (NYT)
Trove Thursday uncovered two broadcasts of Donizetti’s Lucrezia Borgia that share a fascinating nexus: in each an enduring superstar tenor—José Carreras/Alfredo Kraus—is poisoned by a soon-to-vanish rising-star soprano—Vasso Papantoniou/Margarita Castro-Alberty.
When I first heard of this broadcast my thought was to save it to celebrate Jessye Norman‘s 75th birthday in 2020.
“Trove Thursday” presents Falla’s La Vida Breve in a live concert version with Victoria de los Angeles, one of Spain’s greatest singers, as Salud.
This week’s “Trove Thursday” offers Benjamin Britten’s Death in Venice featuring Anthony Rolfe Johnson.
Published in 1975, James McCourt’s novel Mawrdew Czgowchwz is engaged with a longing for the divine.
Twenty years ago, a sad and lonely gay man sat down with a pair of scissors and a glue stick and said, “I think I’ll make a magazine.”
La Cieca is delighted to throw out the first ball or lift her baton or whatever it is one does to launch a discussion, which in this case is on the topic of that most quintessential of all opera novels, Mawrdew Czgowchwz—though she does insist on prefacing anything she says with the caveat that she’s…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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