Hier bleibt Elektra
The Met has finally released the contents of the James Levine 40th Anniversary box sets separately for those of us who didn’t have $500 lying around.
30 pieces since 2009 — in 13 roles, at 8 companies, most often at Metropolitan Opera.
The Met has finally released the contents of the James Levine 40th Anniversary box sets separately for those of us who didn’t have $500 lying around.
Richard Strauss’s brilliantly disturbing Elektra was first performed at the Dresden State Opera in 1909, and arrived in America in 1910 at the Manhattan Opera House. A second American premiere, this time in the original German, was in Philadelphia in 1931 with – and this will kill you – Nelson Eddy as Orestes. Along with […]
On this day in 1992 the Metropolitan Opera presented a [disastrous] new production of Elektra.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
On this day in 1975 soprano Magda Olivero made her historic, belated Metropolitan Opera debut as Tosca
On this day in 1975 soprano Magda Olivero made her Metropolitan Opera debut as Tosca.
Born on this day 99 years ago, actress and singer Doris Day.
It’s time for the annual celebration of the birth of Leonie Rysanek (who, as you know, is your alte Jungfer’s Diva of Divas).
Since the 1916 version of Ariadne auf Naxos which we all know and love had its premiere at Wiener Staatsoper, it seems most appropriate to bring you this 1967 performance from the same venue, with a legendary cast at its zenith.
A sense of celebration was definitely in the air last Thursday at the Vienna State Opera.
“Trove Thursday” offers Die Frau ohne Schatten conducted by Georg Solti and also featuring Regina Resnik, Donald McIntyre and the inevitable James King.
Chris’s Cache wraps up November with Régine Crespin’s Chicago Leonore; two rare Met Fidelios headed by Christa Ludwig and Hildegard Behrens; and a concert performance with Birgit Nilsson led by Leonard Bernstein, plus a final twist: excerpts of Carol Vaness in Leonore.
Who will prevail in Trove Thursday’s Fidelio Drag Race finals: Gwyneth Jones/Leonard Bernstein 1970 or Julia Varady/Nikolaus Harnoncourt 1986?
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Erich Wolfgang Korngold’s Die Tote Stadt in a 1967 Vienna broadcast appropriately featuring three American stars: John Alexander, Marilyn Zschau, and George London.
I was once accused—by my own mother, mind you!—of having too many recordings of Verdi’s Aida. The blistering audacity of that recrimination did get me to thinking: How many recordings of Aida is too many? I mean, you’ve got the old classic you cut your teeth on. Then there’s he one where the tenor and […]
A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.
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