What is normal?
That question hung in the air when Teatro de la Zarzuela Madrid revived Tomás Bretón’s opera Farinelli for first time since its premiere in 1902.
7 pieces since 2015.
That question hung in the air when Teatro de la Zarzuela Madrid revived Tomás Bretón’s opera Farinelli for first time since its premiere in 1902.
Jakub Józef Orlinski‘s “Stille amare” packed a lot of punch in terms of dramatic intensity.
The finals on Sunday seemed a bit like the modern-day operatic equivalent of the Roman colosseum.
What happens in Karlsruhe stays in Karlsruhe!
Handel’s Radamisto returned to New York when Opera Lafayette movingly performed this early masterpiece.
Director Barrie Kosky’s Glyndebourne 2015 production of Handel’s 1739 oratorio Saul (released on Opus Arte DVD) shows imagination as well as a strong cast and design team.
The advance publicity about Zhang Huan’s production of Handel’s luscious Semele currently having its US premiere at the Brooklyn Academy of Music prominently featured a provocative claim.
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