Francis Poulenc

43 pieces since 2008.

43 pieces
19 years

The butterfly effect

Midway through the first portion of this past Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.

By 78 comments

Canon ball

New York Festival of Song’s Manning the Canon: Songs of Gay Life is a delightfully lighthearted, deeply personal, and colorful recital made of equal parts sex, camp, melancholy, and tenderness.  Steven Blier‘s wide-ranging program consists of five sets of songs, each meant to evoke, as per his program notes, “a quintessential moment of a gay […]

By 38 comments

“Parade” passes by

“Parade” is defined simply by the Merriam-Webster Dictionary as “a pompous show.” Fitting enough, then, that the triple bill titled Parade: An Evening of French Music Theatre recorded at the Met on March 16, 2002 consists of Erik Satie’s ballet Parade, Francis Poulenc’s Les Mamelles de Tirésias, and Maurice Ravel’s L’Enfant et les Sortilèges. These […]

By 10 comments

Nott so hott

British soprano Dame Felicity Lott and her frequent partner, the pianist Graham Johnson, have collaborated on a new recital disc for Champs Hill Records, “Call Me Flott.”  Do we really have to?

By 16 comments

Joie de mourir

Juilliard Opera presented an under-ripe yet moving performance of Poulenc’s masterpiece Dialogues des Carmelites on Wednesday. Promising young singers surmounted a dodgy production and stiff musical direction with intelligent singing and contagious enthusiasm.

By 9 comments

queen of the pirates

Leyla Gencer: The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas, Renata Tebaldi, Renata Scotto, Montserrat Caballe, and Magda Olivero, all of whom shared roles in her repertoire. Ironically, Gencer has a number of important credits attached […]

By 35 comments

Queen of the Pirates

[This article originally appeared in the print zine precursor to this site, one of a series of surveys of live recordings by critic Leila de Lakmé.] Leyla Gencer. The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas, […]

By 47 comments

Sign up for Parterre’s free newsletter.

Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.