Something With a ‘Ring’ to It
Cycle II represented an embarrassment of musical riches.
31 pieces since 2009 — in 10 roles, at 7 companies, most often at Metropolitan Opera.
10 pieces as Metropolitan Opera — stats above show all coverage for Eva-Maria Westbroek.
View allCycle II represented an embarrassment of musical riches.
Die Walküre crystallizes the cycle’s questions, ideas, and stakes.
He returned. He sang. He didn’t get hanged.
It’s surprising to read that, as of this writing, La fanciulla del west has only had 105 performances at the Metropolitan Opera.
Headlining the Met’s current revival of both Cavalleria Rusticana and Pagliacci, Roberto Alagna was operating on all cylinders Monday evening.
Although the season is less than three weeks old, Metropolitan Opera audiences may hear nothing else this season as beautiful as Peter Mattei’s “Song to the Evening Star.”
Throw in a trio of murders and a healthy splash of vodka and you have, more or less, the plot of Shostakovich’s Lady Macbeth of Mtsensk.
“I didn’t think anything could be campier than Adriana. But this is nothing but camp. Adriana at least has tunes.”
Since 2010 I’ve been reading nothing but horror being heaped upon the Met’s new Ring. It’s been like a cross between a cruise ship size buffet spread of internet snarking and a slasher film re-cast with music critics.
Take a Wild Ride with a Valkyrie!! Yes, that’s what all the signs say around Old Baghdad-by-the-Bay…. So, fasten your seatbelts, y’all, it’s going to be a bumpy night! As it turned out, Die Walküre was an unexpectedly wonderful ride, marking the debut of someone who could be a very important new Brünnhilde, Nina Stemme. […]
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