Once I was a schlepper, now I’m Miss Mazeppa Once I was a schlepper, now I’m Miss Mazeppa

John Danaher on the world-premiere recording of Clémence de Grandval‘s wild and worthy Mazeppa, the latest release from the operatic archaeologists at Palazzetto Bru Zane.

A cross to bear A cross to bear

A uniformly strong cast triumphs over a dull production of Don Carlo at the Dallas Opera.

Married to their jobs Married to their jobs

Ahead of their opening in Don Carlo in Dallas tonight, Christopher Corwin chats with Nicole Car and Étienne Dupuis — and offers a special edition of Chris’s Cache!

Thane enthusiasm Thane enthusiasm

Washington National Opera’s second full-run offering of the season, a new production of Verdi’s perennially appealing Macbeth, premiered last Wednesday at the Kennedy Center.

We’ll always have Paris (or maybe not) We’ll always have Paris (or maybe not)

The revival of Don Carlo(s) which opened on November 3 restored the translated Italian text and the cut 1882 four-act revision not seen at the Met since Rudolf Bing’s last season in 1972.

The Verdi thing The Verdi thing

On Thursday June 30th, San Francisco Opera closed their summer season with a one-night-only special concert celebrating Eun Sun Kim’s first season as the Caroline H. Hume Music Director, in an aptly named concert “Eun Sun Kim Conducts Verdi.”

Those monsters look like us Those monsters look like us

“This used to be a funhouse… but now it’s full of evil clowns / It’s time to start the countdown…. I’m gonna burn it down”

Back to black Back to black

When was the last time the Metropolitan Opera mounted a new production that was musically outstanding yet the direction and/or design mostly sucked?

Cradle song Cradle song

While seasonally-awkward streams of Messiah abound, Trove Thursday turns instead to Berlioz’s exquisite L’Enfance du Christ from francophone forces including Stéphanie d’ Oustrac, Bernard Richter, Edwin Crossley-Mercer and Nicolas Testé (for once, sans sa femme).

Quand votre sœur Charlotte est là! Quand votre sœur Charlotte est là!

Trove Thursday previews Massenet’s Werther—due to return next month at the Met—with a 1984 Paris performance starring two marvelous protagonists, Tatiana Troyanos and Alain Vanzo.

Better than the sum of its parts Better than the sum of its parts

Is there any opera more bullet-proof than Le Nozze di Figaro?

Must the winter come so soon? Must the winter come so soon?

On Tuesday we got one of the Met’s inveterate classics, which meant yet another opportunity to gaze upon the old accessories: Donkey cart! Teal shawl! Fugly plaid slacks!

Revolutionary étude Revolutionary étude

Thérèse is a compact work consisting of two short acts and clocks in just under seventy minutes.