Let me live by my wits and Trost to my luck
I finally get to complete my personal operatic Top Ten this week with Igor Stravinsky’s only full-length opera, The Rake’s Progress.
38 pieces since 2006 — in 6 roles, at 2 companies, most often at American Opera Society.
I finally get to complete my personal operatic Top Ten this week with Igor Stravinsky’s only full-length opera, The Rake’s Progress.
My sister Julie celebrates an important birthday later this month which reminded me—as I also recalled I visiting her while she was living in Prague—that I should unearth Bohuslav Martin?’s Julietta with Lucia Popp and Dénes Gulyás for this week’s Trove Thursday.
All in all, an ill-advised venture.
When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.
William Guanbo Su and Ann Hallenberg are compelling in The English Concert’s presentation of Handel‘s Hercules at Carnegie Hall.
For the fourth annual edition of “Handel for my birthday” Trove Thursday serves up three heaping portions of “old-fashioned oratorio.”
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.
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