The voice of spring
“I come, I come! ye have called me long;
I come o’er the mountains, with light and song”
38 pieces since 2012 — in 18 roles, at 10 companies, most often at Metropolitan Opera.
6 pieces as Suzuki — stats above show all coverage for Elizabeth DeShong.
View all“I come, I come! ye have called me long;
I come o’er the mountains, with light and song”
“The mystery of her voice gripped my soul,” Sharpless tells Pinkerton at the beginning of Puccini’s Madama Butterfly. One could say the same thing of Aleksandra Kurzak’s remarkable portrayal of the title role, the main reason to catch the Met’s latest revival.
Eleanora Buratto at this fully matured point of her career has a warm, creamy full lyric soprano that has the roundness and sweet warmth of a Freni but can also expand into the spinto power of a Tebaldi.
I find it difficult to experience Madama Butterfly without also experiencing an odd fracturing of the self.
The Albanian soprano Ermonela Jaho is surely the reason that Covent Garden has made a commercial release of this “Live to Cinemas” relay from March of 2017.
While she brought many exceptionally appealing qualities to her portrayal, Ermonela Jaho’s slender soprano often struggled to cope with Puccini’s demanding music.
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