Dienstag mit Marianne
I think my love/hate relationship with Händel stems from the fact that during my early days as an operagoer there simply wasn’t any to hear.
88 pieces since 2005 — in 17 roles, at 12 companies, most often at Metropolitan Opera.
I think my love/hate relationship with Händel stems from the fact that during my early days as an operagoer there simply wasn’t any to hear.
Today the good guy finally gets his chance with San Giovanni Battista by Alessandro Stradella featuring Christophe Dumaux as John the Baptist.
Scanning this summer’s Mostly Mozart schedule one wondered if New York really needed another Don Giovanni right now? And one with a non-starry cast where the best-known name was the Commendatore, Kristinn Sigmundsson?
If I had been handed Clari’s score without being told the name of the composer, I might have thought it was a lost Rossini opera, albeit a minor one. I would have probably assigned it to the early period of Rossini’s career, because it shows more similarities with works like La pietra del paragone and […]
A.J. Goldmann on the Salzburg Festival’s revolving doors, both in its administration and in its delectable production of Il viaggio a Reims.
The legions of New York opera buffs who now can’t talk about anything but Javier Camarena will be happy to know that there’s now a DVD release of their new favorite tenor in Rossini’s Le Comte Ory available.
Before there was Verdi’s Otello, Rossini’s Otello was considered the master operatic adaptation of Shakespeare’s tragedy.
On this day in 1982 the Metropolitan Opera revisited its controversial season-opener Norma.
On this day in 1996 mezzo-soprano Cecilia Bartoli made her Metropolitan Opera stage debut as Despina.
There is a truism that there are no small parts, only small singers. Last night’s Così fan tutte has made me consider another possible truism: there are no bad productions, only miscast productions.
L’Italiana in Algeri‘s appearance at the Salzburg Festival should be no surprise since Ceciila Bartoli has been the intendant of the Whitsun Festival extension at Salzburg since 2012.
We close 2018 with Le Comte Ory with an enviable nearly all-Italian cast of prime-time Rossini specialists: Mariella Devia, Cecila Bartoli, Ewa Podles, William Matteuzzi, Claudio Desderi and Pietro Spagnoli.
“Trove Thursday” turns its Rossini-150 series to one of the composer’s least known but tastiest comic gems La Pietra del Paragone with Julia Hamari, Justino Diaz, Alessandro Corbelli, Claudio Desderi and Paolo Barbacini conducted by Roberto Abbado.
In a splashy new recording of Norma, Marina Rebeka “is doing something very untoward, and it appears destructive to her voice.” It has Niel Rishoi worried.
I was hopeful that my next operatic engagement would offer greater rewards: Norma at the Edinburgh Festival.
For better or worse, Decca’s new Norma recording will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal.
This cozy video of Il Barbiere di Siviglia was recently re-released and will be of interest to those who are only familiar with Cecilia Bartoli‘s work after she became an international star.
An unlikely but adept English-language vocal stylist, Cecilia Bartoli, led the cast of a revival of the 2007 Zurich staging of Handel’s Semele, transferred to the Theater an der Wien for a short run. Director Robert Carsen takes an occasional liberty: Juno and Jupiter emerge as British royals, for instance, she a wellie-wearer and devotee […]
Trove Thursday marks Mozart’s 264th birthday on Sunday with the 14-year-old’s remarkable opera seria Mitridate, Re di Ponto .
On this day in 1998 the Metropolitan Opera presented a new production of Le nozze di Figaro featuring Cecilia Bartoli as Susanna.
I could feel my face (to say nothing of my spirits) sink as I opened an envelope from La Cieca containing a new Decca CD to review.
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