Cavalcade of stars
Back-to-back casts in the Metropolitan Opera’s revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
Carlo Rizzi
27 pieces since 2010 — at 8 companies, most often at Metropolitan Opera.
27
pieces
8
companies
17
years
17 pieces as Metropolitan Opera — stats above show all coverage for Carlo Rizzi.
View all
The replacements
Second casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.
Reunited and it feels so good
When Angela Meade and Michael Fabiano first sang Lucia together as students at AVA few would have predicted that they would go on to sing Turandot 16 years later.
Cuck and ball torture
On October 20th, a wet but warmish Friday night, the Metropolitan Opera opened this season’s revival of Verdi’s Un Ballo in Maschera in David Alden’s 2012 production.
Dreamers with empty hands
It’s autumn in New York, baby.
We’ll always have Paris (or maybe not)
The revival of Don Carlo(s) which opened on November 3 restored the translated Italian text and the cut 1882 four-act revision not seen at the Met since Rudolf Bing’s last season in 1972.
Take the long way Rome
David McVicar’s 2017 production of Tosca returned to the Met on Tuesday night, with an able and watchable, if not transcendent cast.
How do you solve a problem like ‘Medea’?
Sondra Radvanovsky has an unconventional voice that is suited to unconventional characters and is best used in rangy, difficult music. The lack of lush beauty was no deficit in depicting Medea’s jealousy and vengeful rage.
Playing the diva vs. being the diva
In the last weeks of January, as the Metropolitan Opera season wound to a close (prior to the winter hiatus) two striking sopranos were thrust into the limelight.
The devil’s eye candy
There are shows with iconic characters, and there are shows with iconic characters playing iconic characters.
Atonement
Sondra Radvanovsky changed my opinion of her through a single performance—I’ll never think of her the same way again; the power of her singing overwhelmed my previous impressions.
“Norma,” bis
Sir David McVicar’s inept and dreary new production of Bellini’s Norma proved to be more satisfying than it had been on opening night when it returned to the Met Friday evening thanks to its new leading ladies Angela Meade and Jamie Barton
Turandon’t
From the perspective of current identity politics, Puccini’s Turandot is a disaster of epic proportions.
Sgombra è la sacra megaplex
I suspect that David McVicar’s new production of the Metropolitan Opera’s Norma had its most congenial showing as a totality, specifically in the HD format at the movie theater.
Better call Gaul
Bellini’s Norma Monday evening didn’t at all improve on the production it was replacing.
You give me fever
Mortality is ugly—it smells, it makes uncomfortable noises, it takes its time; and then there is the overwhelming sense of dread and helplessness.
There arose such a clatter
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
