A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
By Tildy Diva
36 comments
Carlo Bergonzi
69 pieces since 2005 — in 15 roles, at 5 companies, most often at Metropolitan Opera.
69
pieces
15
roles
5
companies
22
years
By role
12 pieces as Metropolitan Opera — stats above show all coverage for Carlo Bergonzi.
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The Met should revive La Gioconda
It used to be proverbial on the Met Opera Quiz, usually quoted by quiz master Edward Downes: “If you can’t remember where a certain plot event occurs … it happens in La Gioconda.”
By John Yohalem
159 comments
Consumptive professionals
Given the keen interest in recent posts of Met pirates of Montserrat Caballé in Verdi, Chris’s Cache concludes its trio with the Spanish soprano’s Met Violetta, along with additional Met in-house recordings of Virginia Zeani, Pilar Lorengar, Jeanette Pilou, and Joan Sutherland as Verdi’s doomed courtesan.
Ethiopian blends
Anticipating the first new local Aïda in thirty-six years, Chris’s Cache revisits Verdi’s popular opera in four unusually interesting in-house recordings from the Met 1961-1976.
Thoughts on Il trovatore: the opera
When asked to express some “thoughts” here about Verdi’s Il trovatore, my immediate thought was “hmm… not a lot to think about there.”
Thoughts on La Gioconda: Tebaldi
This is a gala day for you
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
Sophisticated Lady
On this day in 1959 soprano Leonie Rysanek made her Metropolitan Opera debut as Lady Macbeth.
Mad and madder
With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.
Utterly bewitching
Who could doubt that Leontyne Price contains multitudes?
Trick or trill
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
Diva of Détente
Our Own Jungfer Marianne Leitmetzerin (not pictured) takes us back to the turbulent 1970s at the Met for the spectacular company debut of electrifying Elena Obraztsova as Amneris.