Third leg
The term “narrative prosthesis” refers to the tendency for works of literature to use disability as the conflict upon which the whole narrative hinges. Herman Melville’s Moby-Dick is a quintessential example of “narrative prosthesis.”
35 pieces since 2005 — in 18 roles, at 8 companies, most often at Metropolitan Opera.
7 pieces as Metropolitan Opera — stats above show all coverage for Brandon Jovanovich.
View allThe term “narrative prosthesis” refers to the tendency for works of literature to use disability as the conflict upon which the whole narrative hinges. Herman Melville’s Moby-Dick is a quintessential example of “narrative prosthesis.”
It’s nasty world, Shostakovich seems to say, where life alternates between boring and terrifying.
This sterling revival shows the Metropolitan to be surviving well and in good shape.
So, how excited are you to read another piece about the Mary Zimmerman Rusalka?
With a cast of stellar singers and uneven direction by Mary Zimmerman, Dvorák’s Rusalka debuts in a new production at the Metropolitan Opera.
Throw in a trio of murders and a healthy splash of vodka and you have, more or less, the plot of Shostakovich’s Lady Macbeth of Mtsensk.
I was there in the house and it was a good night. I still think that Mattila and the production were fresher in 2004 with a wider range of colors and dynamics. However, she didn’t sound frayed or at the end of her rope. Some of the louder high notes can get a blanched quality […]
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