Fathers’ day
How do we celebrate a long career in opera, particularly one as illustrious as Plácido Domingo‘s?
13 pieces since 2009 — in 10 roles, at 4 companies, most often at LA Opera.
How do we celebrate a long career in opera, particularly one as illustrious as Plácido Domingo‘s?
Back-to-back casts in the Metropolitan Opera’s revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
The indisputable star of the new Naxos DVD of Franco Alfano’s Cyrano de Bergerac, filmed at the Palau de les Arts ‘Reina Sofia’ in Valencia and directed by Michal Znaniecki, is, as in all other stage, operatic and film adaptations of the Cyrano story, the enormous prosthetic nose worn by the title character. The nose […]
I have a confession to make. I have been taking Rigoletto for granted.
LA Opera sent out an email warning that the production “contains depictions of blood, violence, and drug use, as well as strobe lights and a gunshot effect in Act III.”
Whenever I encounter Eric Owens, he’s plotting to conquer the universe.
The characters get right down to work immediately with their foul deeds.
Il trovatore may be famous for its melodramatic plot and unlikely mistaken identities, but surely even Verdi and Cammarano couldn’t have imagined the chaos of a performance featuring two Manricos and two Leonoras.
Power struggles, prejudice, feuds and revenge abound in San Francisco at the moment.
As you can imagine, oaths are sworn, curses are flung with avidity, and a mysterious shepherd sings a tune of foreboding from a distant mountain gorge just when you’d expect it.
Sometimes when you find the club that will have you as a member, you do not easily give up your spot.
LA Opera opened their 30th season with a pairing of two of their most popular productions, both of which were initially staged by filmmakers not unfamiliar with the vagaries of our industry outpost here in Hollywoodland.
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