Bring on the lovers, liars and clowns
San Diego Opera’s Pagliacci puts a play within a play within a play.
6 pieces since 2016 — in 6 roles, at 5 companies, most often at New York City Opera.
San Diego Opera’s Pagliacci puts a play within a play within a play.
Don’t cry for me, Birgit Nilsson
Last evening’s scorching performance of Fallujah by the New York City Opera demonstrated that sometimes impact is not limited by physical proximity.
The elusive La dame blanche returned for one evening to New York City on May 28 thanks to the New Amsterdam Opera led by maestro Keith Chambers.
Out of a literal perforation in the horizon of the Nebraskan prairie emerges Proving Up, the most convincing case I have ever seen for modern American opera.
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