Opera Theatre of Saint Louis does its best to give magic in its summer productions of Roméo et Juliette and A Streetcar Named Desired.
As of late, the Bay Area has been blessed with a few high-wattage, high-profile recitals as if to compensate for the chilly temperatures and gloomy weather. Roughly a month after Lise Davidsen made an ebullient debut at Cal Performances, the Bay Area welcomed French soprano Natalie Dessay last Saturday.
Despite this being the first full-length opera for Gabriela Lena Frank, there’s no lack of experience across the creative team which, along with favorable reviews for the production, contributed to high levels of anticipation.
Who could doubt that Leontyne Price contains multitudes?
My mother leaned in and quietly whispered,”Is that Leontyne Price?” to which I replied,”Shhhh!”
I fucking love Renée Fleming.
Renée Fleming is one of the most polarizing figures to be discussed here on an ongoing basis.
The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.
American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition.
André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.
“Time and tide wait for no one” pontificates Myrtle the barmaid, setting the tone for André Previn’s opera about fleeting romance but enduring love: Brief Encounter. Loosely based on the play Still Life by Noël Coward and the screenplay for the film Brief Encounter by Coward and David Lean, this opera (now on CD) tells…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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