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On this day in 1974 Benjamin Britten‘s Death in Venice had its American Premiere at the Metropolitan Opera.
Five fatal Swedish/Bostonian love triangles
On this day in 1991 soprano Deborah Voigt made her Metropolitan Opera debut as Amelia.
The Hunt’s strongest argument for the possibility of growth, connection, and agency even under adverse and restrictive circumstances lay, of course, in its music, in which three individual voices were able to combine and transform into something infinitely rich and strange.
Born on this day in 1962 baritone Dmitri Hvorostovsky
On this day in 1976 soprano Hildegard Behrens made her Metropolitan Opera debut as Giorgetta!
George Benjamin and Martin Crimp‘s latest opera from London conducted by Corinna Neymeyer and starring Ema Nikolovska, Jacquelyn Stucker, Beate Mordal, and Cameron Shahbazii
On this day in 1964 Metropolitan Opera’s Opening Night was the then-new Nathaniel Merrill production of Aida.
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
It’s autumn in New York, baby.
On this day in 1965 soprano Renata Scotto made her Metropolitan Opera debut as Cio-Cio San
Wanna feel old? Hair, “The American Tribal Love-Rock Musical,” as it styled itself, has its 56th birthday this month.
Born on this day in 1935 tenor Luciano Pavarotti
On February 10 of this year was the 100th anniversary of the birth of the great Italian basso Cesare Siepi. I found that this milestone was scarcely noted in the opera press.
On this day in 1967 the Metropolitan Opera debuts of mezzo Teresa Berganza as Cherubino and baritone Tom Krause as Count Almaviva
Talk of the Town
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
Born on this day in 1813 composer Giuseppe Verdi
“The first two images of Angelina Jolie as famed diva Maria Callas in Pablo Larraín’s upcoming biopic Maria have been revealed”
I love it, truly, just not that much.
On this day in 1986 baritone Thomas Hampson made his Metropolitan Opera debut as Count Almaviva.
On this day in 1988 Dolora Zajick made her Metropolitan Opera debut as Azucena
Philippe Jordan conducts Michael Volle, Joshua Guerrero, Anja Kampe, Eleonora Burrato, Michaela Schuster, Ambrogio Maestri, and Serena Sáenz in Tatjana Gürbaca‘s new production from Vienna.
On this day in 1965 mezzo-soprano Grace Bumbry made her Metropolitan Opera debut as Eboli
It’s a warning that could strike fear in even the heartiest theatergoer.