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Jader Bignamini conducts Anna Netrebko, Davide Luciano, Joshua Guerrero and Evgeny Solodovnikov in a broadcast from Vienna.
On this day in 1965 bass Nicolai Ghiaurov made his Metropolitan Opera debut as Méphistophélès
Rosa Feola, hailed last year for her Gilda at the Met, brought a level of vocal refinement and elegance to Juliet that substantially elevated the night’s proceedings.
Born on this day in 1926 soprano Joan Sutherland
When the New York Philharmonic announced Gustavo Dudamel as its next music director earlier this year, speculation arose immediately as to who would take his place out West when he leaves the Los Angeles Philharmonic in 2026.
On this day in 1928 the American Premiere of Richard Strauss‘ Die ägyptische Helena at the Met.
Live from Cape Town, South Africa, the finals of the 2023 Operalia Competition
On this day in 1883 the Metropolitan Opera presented its very first traviata.
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
In 1961 soprano Phyllis Curtin makes her Metropolitan Opera debut as Fiordiligi
Kazeem Abdullah conducts Will Liverman, Leah Hawkins, Raehann Bryce-Davis, Michael Sumuel, and Victor Ryan Robertson in a season premiere broadcast from New York
On this night in 1924 Tullio Serafin made his Met debut conducting Elisabeth Rethberg and Giovanni Martinelli in Aida.
To get right to the point, the performance did not come together despite some good elements and was a major missed opportunity.
Two problematic 1990s Donizetti daughters
On this day in 2005 mezzo-soprano Joyce DiDonato made her Met debut as Cherubino
This Sunday marked a muted return of the Richard Tucker Foundation Gala, which had the dubious distinction of the fourth edition not to feature a prizewinner and perhaps the first not to provide complete orchestral and choral accompaniment for its performers.
Talk of the Town
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
Born on this day in 1923 soprano Victoria de los Angeles
Chopping up the action and dutifully showing each plot point may work in a film but in an opera, where every piece of marginal dialogue must be set to music, it feels like a chore.
Alain Altinonglu conducts Gábor Bretz, Marie-Nicole Lemieux, Anett Frisch, Scott Hendricks, and Nicky Spence live from Brussels.
Happy Halloween, Parterrians!
In this vulgar world, there is no situation that can’t be limned with a power ballad.
On this day in 1944 the Aaron Copland/Martha Graham ballet Appalachian Spring had its premiere in Washington DC.
A word to cher public from backstage at the box
On this day in 1956 La Divina made her Met debut as Norma