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My sole live encounter with Seiji Ozawa coincided with his final appearances at the Metropolitan Opera, where he conducted its 2008 revival of Tchaikovsky’s Pikovaya Dama.
On this day in 1959 Alban Berg‘s Wozzeck had its Metropolitan Opera premiere (in English)
From a musical perspective, the evening came together admirably. As a work of theater, though, it was as stale as last week’s takeout.
Born on this day in 1929 conductor Bernard Haitink
On this day in 1875 Bizet‘s Carmen has its disastrous premiere at the Opéra Comique in Paris
All animals are equal, but some are more equal that others in a live video relay of Alexander Raskatov‘s new opera from Vienna with Gennady Bezzubenkov, Wolfgang Bankl, Michael Gniffke, Andrei Popov, Stefan Astakhov, Karl Laquit, Artem Krutko, and Margaret Plummer and conducted by Alexander Soddy
On this day in 1989 Ken Ludwig‘s play Lend Me A Tenor opened on Broadway
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
What does it mean to be a “gender transcendent diva?”
Finding Britten’s The Rape of Lucretia on the Academy of Vocal Arts calendar was both a pleasure and something of a surprise—the latter because the work is far from central repertoire, even in a conservatory.
Happy 100th birthday soprano Lucine Amara
Chris’s Cache celebrates Ewa Podles‘s long connection with Handel by featuring her in three complete, decidedly un-HIP operas spanning over twenty years
On this day in 1836 Meyerbeer‘s Les Huguenots premiered in Paris
While you may need to bring along your Dramamine, the Met’s new production of La forza del destino, does—eventually—spin fast enough to achieve escape velocity.
On this day in 1910 prima ballerina Anna Pavlova made her debut at the Metropolitan Opera in Coppélia (on a double bill with Werther!)
Talk of the Town
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
A favorite art song performance from Emma Hoffman
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
In anticipation of a full review, cher public is invited to weigh in on the lamentable perruque situation in this season’s new forza
One of the first things James Conlon did when he took over the reins as Music Director of LA Opera was create the “Recovered Voices” project, producing operas that had been suppressed by the Nazis.
Born on this day in 1935 soprano Mirella Freni
Yannick Nézet-Séguin conducts the opening night of a new production with Lise Davidsen, Brian Jadge, Judit Kutasi, Igor Golovatenko, Patrick Carfizzi, and Soloman Howard
Leos Janácek’s rise to international prominence as a Titan of music was dovetailed by a cluster of profoundly original operas that were written during his extraordinary autumnal years.
Born on this day in 1802 author and playwright Victor Hugo
On this day in 1948 tenor Giuseppe di Stefano made his Metropolitan Opera debut at the Duke of Mantua
Yannick Nézet-Séguin conducts a 2023 performance of Mozart’s Requiem with Golda Schultz, Emily D’Angelo, Dmytro Popov, Vladyslav Buialskyi and a 2022 performance of the finale of Beethoven’s Symphony No. 9 with Elza van den Heever, Jamie Barton, Piotr Beczala, and Ryan Speedo Green