Cabaret is a life
I was still warming frigid fingers Friday night, when before me unfolded something like a history of the world viewed from a small café: an enchanted journey from the gaslights of Berlin to the crowded alleys of Buenos Aires.
Recent Stories
Melodramatic: the Gathering
Cher public, La Cieca welcomes you to the season’s first chat, coinciding with the Toll Brothers-Metropolitan Opera International Radio Network’s Saturday matinee broadcast. This afternoon’s opera is of course Puccini’s Il trittico. Chatting begins at noon in preparation for a 12:30 pm curtain time.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Broadcast season’s greetings
Just a reminder that parterre.com is your place to chat the light fantastic tomorrow at 12 noon, when the Met kicks off its 2009-2010 Toll Brothers Broadcasts with Il Trittico! Intermission features will include interviews with Deborah Voigt, Stephanie Blythe, and Joseph Calleja!
House of Atreus: Fall Collection
Elektra occupies a special place in the Met’s rep, in a cheap way. It’s no easier to cast than any number of things that inspire well-rehearsed refrains of “put it away for fifty years,”* and really over the last quarter century many a somber compromise has been made in casting. What sets it apart is […]
Wo bleibt der Chat?
Here’s the place for all your chatting needs, cher public, during tonight’s broadcast of Elektra from the Met. The official chat begins at 7:45 pm for an 8:00 curtain.
The words “ao vivo” are thrown around a lot these days…
Long before there was Miranda, there was “La Perle Noire du Brésil,” Natalia De Andrade.
A loom of one’s own
We all know and love Fauré, but how many of us can say we’ve seen his opera Pénélope live and in person? As of last night, I number myself among the few.
Woolfe whistle
La Cieca’s old, old, old friend Zachary Woolfe will take to the airwaves tomorrow morning to discuss, among other less titillating topics, the controversial omission of pastied boobage from the Met’s impending HD of Les Contes d’Hoffmann. You can hear Zack on WQXR’s Arts File at 8:30am, on 105.9FM or wqxr.org.
NY Times: “Greeks Condemn Opera of Elektra”
“I knew Hofmannsthal… he in fact begged me not to go and see it… telling me he was ashamed of it!”
Franco, ingenuo
The Zeffirelli saga continues. According to the Corriere della sera, yesterday “lo Zeffirelli furioso” held what could mildly be described as an “animated” press conference in Rome for the presentation of the new season.
Smooth criminal
“Michael Jackson was the true postmodern castrato,” says Cecilia Bartoli. [El País]
Ten Rules for Stage Directors
1. DON’T STAGE THE OVERTURE. Surprise: Verdi and Rossini and Wagner Mozart actually worked in the theater most of their lives, so give them credit for knowing that the overture is there to get the audience in the mood, to ease their transition from “outside” to “inside.”
To boldly go where too many regies have gone before
Okay, La Cieca is finally ready to add another hard and fast “don’t” to her Rules for Stage Directors. To wit: Even if a scene calls for something fantastical, and even if the mezzo doesn’t actually walk out of the production when she first sees the costume… if your imagery immediately and inevitably screams “Star […]
Reading, writing and regie
The dreaded Regie rears its ugly head in an unexpected venue: a children’s Christmas pageant! “Humbug teachers at a primary school have come under fire for re-writing this year’s Christmas pantomime of Hansel and Gretel – to make them hooded yobs. “The fairytale characters have been re-cast as violent thugs who terrorise their neighbourhood and […]
Nose candy
The indisputable star of the new Naxos DVD of Franco Alfano’s Cyrano de Bergerac, filmed at the Palau de les Arts ‘Reina Sofia’ in Valencia and directed by Michal Znaniecki, is, as in all other stage, operatic and film adaptations of the Cyrano story, the enormous prosthetic nose worn by the title character. The nose […]
i don’t know but i been told
One of the other American critics to cover La Scala’s HD Transmission of Carmen, Sarah Bryan Miller of the St. Louis Post-Dispatch, shared our own squirrel’s view of the production. But she had some help from her friends at the “Associated Press and elsewhere.”
Scourge of women
“I cannot clothe them! I need models!” Miuccia Prada “reportedly groaned” when confronted with “curvy” supers hired for the Met’s new production of Attila. [Page Six]
“It’s about this whale…”
Preternaturally boyish composer Jake Heggie is putting finishing touches on his orchestration for his opera Moby-Dick. The cetacean tuner, “huge strings” and all, is set for an April debut in Dallas. [KERA]
Jacques off
“…the director doesn’t end with the ties between Offenbach and Hoffman. He connects the thematic dots, as if it were logically inevitable, to Kafka, who — wait for it — was also a Jew! This is indeed true, but Mr. Sher could just have easily have chosen Norman Podhoretz.” [NY Observer]
The smooth and the rough
Snippet from yesterday’s Carmen telecast.
Pumping irony
Which complex new staging has the Met crew jumping through hoops? The resulting backstage congestion may result in the draft of an estranged director for a comeback!
Vicar’s delight
“It was… immediately clear that neither Finnish soprano Soile Isokoski nor French mezzo Sophie Koch were going to provide wildly enchanting interpretations of the Marschallin and Octavian…. But the most exciting element of the evening was the Sophie of the young British soprano Lucy Crowe, floating through the ecstasy of the Presentation of the Rose […]
International cafe
Cabaret goddess Ute Lemper appears amidst the intime ambiance of Joe’s Pub in NYC later this week to explore “the world of Berlin Kabarett, the backstreets of Montmartre and Pigalle with the French Chansons Realistes and the fantastic, sensual songs of Argentinian Tango in between Buenos Aires and New York.” Whew, let’s hope she has […]