Comments that witness madness
La Cieca will never, ever again (even if she ever had, which she didn’t so much) complain about the comments of the cher public. The comments are far and away crazier (and not in an entertaining way) elsewhere.
La Cieca will never, ever again (even if she ever had, which she didn’t so much) complain about the comments of the cher public. The comments are far and away crazier (and not in an entertaining way) elsewhere.
Look, this is a very special piece of music for me. You were twenty once, right? You were self-righteous. You had your musical heroes, and your mind was being remolded every fifteen minutes or so by a rapid succession of new experiences that challenged your notions of what music could do.
There is no cry heard more often these days than, “Where are all the Verdi sopranos?!?” Yes, there was a day when we had the likes of Aprile Millo, Eva Marton, Leontyne Price, Renata Tebaldi, Maria Callas, Leonie Rysanek, Zinka Milanov and Antonietta Stella all singing in the same, say 25 or 30 years. While […]
No one, not even the company’s near-septuagenarian General Director/Wälsung, has stumbled thus far in the West Coast cycle of Wagner’s tetralogy; in fact, the only ones complaining are the handful of LaRouche protesters outside the Dorothy Chandler Pavilion. Of course, things are bound to heat up when mouthy heldentenor John Treleaven makes his first official […]
The American mezzo-soprano and soprano is 79 years old today.
Maria Guleghina‘s Turandot on PBS right now, and, holy hell, I didn’t realize just how incredibly awful it sounded. How could anyone let such a thing be released — no, escape — on HD?
Some things, like hearing an evening of chamber music on a barge in the East River, sound better on paper than they actually are. And some things work exactly the opposite way: for example, the composer David del Tredici. Bargemusic presented soprano Courtenay Budd in a program of two song cycles from the 1990s by […]
It truly is a red-letter day when La Cieca manages to propose a Regie quiz that fails to elicit from you clever pusses even a single correct guess. Last week’s opera was something of a double whammy, as it consisted of a modern piece produced in a non-traditional manner. Enough suspense: the work was Henze’s […]
Some of you may remember a few weeks ago comments veered off into a discussion of relative sizes of 19th century theaters vs. modern opera houses and, specifically, the issue of a stage apron, a playing area that extended past the proscenium into the auditorium proper, therefore allowing singers to take advantage of warmer acoustics […]
Carlos Álvarez has withdrawn from the Metropolitan Opera’s January 2011 performances of Rigoletto. Veteran Verdian Leo Nucci will take on the title role for these five performances, including the Saturday broadcast.
Which singer was not unwell when he withdrew “because of illness” from that production already rife with cancellations, but rather was fired because he had not yet mastered his music?
“I’m a contrarian! We contrarians question everything! The only thing we contrarians never question is the cheques we collect for writing our silly bloody contrarian codswallop! Oh, bugger those silly toffs in their poofy frocks! Cheque, please!” [The Guardian]
“…Tony Award winners Bernadette Peters and Elaine Stritch have been approached to succeed Catherine Zeta-Jones and Angela Lansbury, respectively, in the roles of the captivating actress Desirée Armfeldt and her worldly-wise mother Madame Armfeldt.” [Playbill]
“The end of the world was on the program Thursday night — but for the New York Philharmonic, performing the apocalyptic opera Le Grand Macabre was a promising new beginning.” [NYP]
La Cieca has just heard from one of her habitually infallible moles that the refitting of the Met’s stages for the Robert Lepage Ring began today.
“I would only ask if there is any director who stays every day in the place he works,” Mr. Domingo said, his voice rising. [Wall Street Journal]
Chandos has issued an excellent new CD of Serge Rachmaninoff‘s one-act opera Aleko, written when the composer was only nineteen as a graduation exercise for the Moscow Conservatory.
One of parterre box’s oldest friends and earliest admirers, Der Schmuck der Madonna, emerges from his regal exile momentarily to plug what sounds like a memorable way to spend part of Memorial Day weekend:
… and the hope gets darker and darker as La Scoopenda performs Leonard Cohen‘s “Hallelujah.”
“Featured Doer” Peter Gelb is one of 15 candidates for a video interview in the HuffPost Spotlight Series. Go to the Peter Gelb page at Huffington Post and leave a question (or three) for him. The five “doers” with the most questions asked will submit to a video interview!
Belle Miriam “Bubbles” Silverman was born in Brooklyn on May 25, 1929.
The delightful German soprano, who enjoyed a 40 year stage career, died yesterday in Switzerland. She was 83.
The U.S. Supreme Court will let stand a Colorado law that bans actors and actresses from smoking while performing their roles on stage. The Colorado Clean Indoor Air Act applies to all theatrical performances, including that smokiest of all operas, Carmen. [allvoices.com]
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.