Recent Stories

Una furtiva chiacchiera

Not to scoop Brad Wilber (if such a thing were possible!) but La Cieca has just heard that the much-discussed opening night of the Met’s 2012-13 season has been settled. Starring in a new Bartlett Sher production of L’elisir d’amore will be Anna Netrebko, Matthew Polenzani and Mariusz Kwiecien, with Dulcamara and conductor TBA.

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Divas in distress

Resolved: Luc Bondy‘s production of Tosca is the same as Darren Aronofsky‘s Black Swan. Side argument: this season’s revival of Tosca is like the eventual recut of Black Swan for basic cable. (Tosca photo: Marty Sohl/Metropolitan Opera)

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Sunny side up

Opera’s girl next door—if you live on Riverside Drive—Anna Netrebko discusses her many egg recipes and her favorite pajama boutiques in the Sunday Routine column in the New York Times. (Her own John Raitt, in the person of Erwin Schrott, put in a cameo appearance not in pajamas but a tight t-shirt.)

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A doge’s life

Says the Met press office: “Roberto De Biasio will make his Met debut as Gabriele Adorno in the Thursday, January 20 opening performance of Simon Boccanegra, replacing Ramón Vargas, who is ill. Mr. Vargas is scheduled to sing the remainder of the performances.”

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A river in Egypt

After six months of professional silence, Natalie Dessay will return to the stage on Monday in Giulio Cesare at the Palais Garnier. A hint of what the Handel may sound like will be found after the jump.

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My God, it’s full of stars!

Ioan Holender was General Manager of the Wiener Staatsoper for nineteen years, the longest anyone has held this post, and the august institution honored him with the gala to end all galas in the final days of his administration.  With the goal of commemorating each of the 40 new productions premiered at the Staatsoper during […]

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Nothing succeeds like access

Fans of Joyce DiDonato and fairness (and there is considerable overlap between the two groups) will be happy to know that the Metropolitan Opera, as part of a settlement in a civil rights lawsuit, has agreed to increase accessibilty to the opera house, including the installation of additional wheelchair seating. [NYT]

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Bühnenweihfestspielkrieg

The Germans have a word for everything except what La Cieca is about to propose, which is why she made up her own Mammutwort for, well, a contest having to do with stage productions, specifically those of Wagner music dramas. (The “consecration” is understood, you see.) The rules and what you can win, after the […]

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Tales of the unexpected

“This year may go down as one filled with surprises at the Met, kicking off with an unexpected role for a familiar tenor and a dazzling debut for a budding superstar.” [New York Post] (Photo: Ken Howard / Metropolitan Opera)

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Sondra, finalmente nostra!

UPDATE: “Roberto Alagna will make his Met role debut as Cavaradossi in tonight’s opening performance of Tosca, replacing Marcelo Álvarez, who withdrew this afternoon due to the lingering effects of a cold.” Whoever her tenor might be, the occasion of parterriani fave Sondra Radvanovksy‘s first Met Tosca calls for dancing in the streets, drinking in […]

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Recovered, covered

In the process of unearthing forgotten musical works, sometimes we stumble across a gem.  World War II saw an entire generation of European composers forced into internment or diaspora, and their works are only slowly being rescued from obscurity. In a recent DVD release from the LA Opera, a part their Recovered Voices series, we […]

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La Cage aux Régisseurs

Those sleek monochromatic idols were, in fact, film stars in last week’s Regie quiz. This Opéra national du Rhin production of La Belle Hélène, directed by Mariame Clément, won half credit for talented cosmodimontevergine, who recognized William Randolph Hearst’s neo-classical swimming pool in San Simeon and recalled the use of that image in a recent staging […]

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Oh my God, Opera, you look amazing!

“A cover article this weekend about choosing the Top 10 classical composers misstates, at one point, the length of time that opera had existed as of 1750, when Bach died. As the article correctly conveys in other references, opera had been around for roughly 150 years then, not ‘a half-century’.” La Cieca is sure the […]

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New classic

Willy Decker’s Traviata has garnered praise from critics and audiences alike in the week since its Metropolitan premiere, but (as was to be expected) this praise comes over the complaints of a select few traditionalists, a handful of lonely boos amid the mostly enthusiastic applause. Their objection (as usual) is that Decker’s production betrays the […]

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A big hand for the little lady

“Decker’s vision of Traviata, like most great productions, combines emotional truth with intellectual rigor—or, rather, there is a synergy between these two qualities that illuminates the entire work.” Our Own JJ takes apart the giant watch to find out what makes it tick, over at Musical America.

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