Little girls get bigger every day
Elza van den Heever and Peter Mattei (and the stage elevator) elevate an assertive, if not definitive, new Salome at the Met
Elza van den Heever and Peter Mattei (and the stage elevator) elevate an assertive, if not definitive, new Salome at the Met
After seeing The Fifth Element I wanted to see Inva Mula live, which I did (Nanetta, two years after the movie) and she certainly did not disappoint!
While the thoroughly established Lawrence Brownlee reprises his familiar Count Almaviva in the Met’s Barbiere di Siviglia, parterre box calls your attention to another Mr. Brownlee making waves: Nicholas Brownlee.
Lise Davidsen‘s singular Senta dominates the forces of the Norwegian National Opera in a roiling new recording of Der fliegende Holländer out now on Decca Classics
One of the most moving scenes in film, accompanied by Callas‘s iconic singing.
Turmoil and injustice in the federal government; turmoil and grief in the Catholic Church: the time sure seems right for a staging of Francis Poulenc’s Dialogues des Carmélites.
Elina Garanca is back at the Met for the first time since 2020 — her Amneris is, in a word, sensational.
Sofia Coppola‘s cult classic Marie Antoinette is best known for blending a whimsically baroque visuals with a post-punk score.
A fine Don Giovanni at Opera Philadelphia rounds out the company’s inaugural season under Anthony Roth Costanzo
John Yohalem wraps up Donizetti Month at parterre box with a look back at nearly six decades of Donizetti operagoing.
As a beginning freshman in college at CSU Long Beach, I was cast in my first opera – the chorus for L’Elisir d’amore ( performed in English as “The Elixir of Love”).
Opera San José (OSJ) concluded its eclectic 41st Season with another first, Héctor Armienta’s Zorro, which received its Northern California premiere at the California Theatre on Friday, April 19th.
Breaking the Waves and Tannhaüser at Houston Grand Opera are a can’t-miss doubleheader of sex and miracles.
This early performance of Anna Bolena’s final scene is just one of the most poised and magical pieces of bel canto singing I’ve ever heard. It must have been extraordinary to hear her at the outset of her career.
parterre box is very sad to learn of the passing of beloved writer Patrick Mack in Los Angeles yesterday.
The long-awaited Broadway musical adaptation of the NBC series Smash is “not Bombshell – it’s just a bomb,” according to David Fox and Cameron Kelsall.
Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series
Pavarotti in his prime – He makes this so-familiar aria new and glowing.
A live broadcast from Milan of the world premiere of Francesco Filidei’s opera based on Umberto Eco‘s novel
Sigh! I think most of you realized I would pick this one. Got that “Donizetti and Bellini Heroines” from the Record Club of America when I was in my teens and playing it to death.
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