Recent Stories
“Say! What about throwing your very own baby in the fire by accident? There’s one for you. Doesn’t get much more implausible than that!”
In belated recognition of the 70th birthday of Eva Marton (she celebrated that milestone on June 18) La Cieca offers a particularly fiery performance of Tosca from Manila in 1979.
The complete recording of Der Ring des Nibelungen conducted by Christian Thielemann at the Bayreuth Festival is now on sale for only $5.99. And, no, I am not making this up.
Everything about Aleksandra Kurzak’s new disc is a variation on the term “fioritura.”
One of the most familiar of all operas in an unfamiliar guise: the original (1853) score of La traviata, heard here in a 2001 performance at the Verdi Festival di Busseto.
Of all of Verdi’s operas. Aida is the one I find least interesting dramatically.
What, you might ask, could a middle-of-the-road middlebrow stage director add to this monumental chef-d’oeuvre?
Before we Yanks all go our merry ways for the July 4 holiday, here’s a quick reminder of this summer’s must-see.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
“Gheorghiu has admitted a romance with Cézar, a flamboyant Romanian counter-tenor…”
More virtual opera for those poor souls starved of the real thing: Rossini’s Ermione starring Anna Caterina Antonacci!
The Tutto Verdi series from the Teatro Regio Parma may be said to relate to the great Giuseppe Verdi’s oeuvre as the burning of the library at Alexandria did to classical literature.
“But Thais is a French opera.”
It has come to La Cieca’s attention that the New York Opera Calendar is sadly devoid of content until Saturday of this week.
La Cieca, appearing live on tape, extends her thanks to parterre’s advertisers for the month of July.
As soon as you are finished celebrating the gay pride of yourself and/or others, cher public, feel free to comment here on matters off-topic and general.
Shocker of the century! The New York Times reveals that Met singers are miked!
Talk of the Town
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
Leyla Gencer should have made it to the Met
Leyla Gencer had a long European career but never sang at the Met.
Leyla Gencer had a long European career but never sang at the Met.
Dame Gwyneth Jones is fighting an attempt to oust her as president of the Wagner Society, a position she has held for 23 years.
Our weekly canard concerns that greatest of all operas, Don Giovanni—or is it?
Here’s Jonas Kaufmann last night in Munich, singing Manrico’s scena from Trovatore
Soprano Elizabeth Blancke-Biggs sings the final scene from Salome in the Stefan Herheim production for Den Norske Opera.
So finally we can see what the Robert Lepage Ring would have looked like if only the Machine hadn’t been totally fucked.
American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition.
Could Marek Janowski do for Wagner what the early music movement did for the Baroque and Classical repertory?
Name a Verdi opera, based on a play by Voltaire, described in the immortal words of the composer as “Questo e proprio brutto.”
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