Recent Stories
Memo to Francois Girard: change your login information, because it looks like your PowerPoint has been hacked.
The legendary soprano celebrates her 80th birthday today.
Giovanni Battista Pergolesi’s only opera for Rome was written to an existing libretto by the great Pietro Metastasio, L’Olimpiade, which had already been set by Vivaldi the year previously.
Who would be so benighted as to send a unprepared substitute into the lion’s den of the Met?
Our Own JJ weighs in at some length about OONY’s performance of I Lombardi over at musicalamerica.com.
Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”
Since its life-changing Atys first arrived in 1989 at the Brooklyn Academy of Music (where the Lully returned one last time in 2011), Les Arts Florissants has presented works there which have challenged many perceptions about 17th and 18th century opera.
Your doyenne, while she never, never would think to record a performance she attends, is from time to time sent recordings of certain live events.
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
“Poulenc’s La Voix Humaine and Puccini’s Suor Angelica…. Cast Features Nuccia Focile, Rosalind Plowright, Maria Gavrilova in her Seattle Debut”
“Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”
La Cieca does what she can in her own little way to, well, light a single candle against ignorance, but sometimes she is surprised by her own strength.
Either tonight’s concert performance of I Lombardi by Opera Orchestra of New York was a “star is born” moment for Michael Fabiano, or else there is no such thing as a “star is born” moment any more.
Bollywood dance numbers, kung fu fighting, simulated nudity — and rock-solid musical values — added up to a sterling Giulio Cesare at at the Met.
“I’m analytical, not wild,” Ms. Garanca told an interviewer in 2009.
It’s that time of the week (again?) when the parterriat discuss off-topic, general interest and impressionistic subjects.
On the final night of her farewell engagement at the Café Carlyle, cabaret legend Elaine Stritch took a few questions from the audience.
Talk of the Town
A favorite Verdi performance from CKurwenal
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
It’s not a sure thing, only a “maybe,” but it’s the most exciting Regie news La Cieca has heard all season.
A member of the cher public who braved this afternoon’s performance of Das Rheingold at the Met reports that the Machine jammed halfway through the transition between scenes two and three.
La Cieca hears that the opening night of La Scala’s 2013 season will feature a new production of La traviata starring Diana Damrau and Piotr Beczala, directed by… no, not Franco Zeffirelli, but Dmitri Tcherniakov.
Giulio Cesare at the Met proved an evening that added up to much more than the sum of its uneven parts.
La Cieca has heard the rumblings (from you, the cher public) that we have not had a singer identification quiz in all too long a while.
The gripping Calixto Bieito/Kent Nagano production of Boris Godunov from the Bayerische Staatsoper—with authoritative Alexander Tsymbalyuk in the title role…
You don’t have to be Quechua to enjoy some of the outstanding CDs and DVDs to be released this month, but it can’t hurt.
Here’s recent Met debutante Liudmyla Monastyrska in that ultimate “furibonda” role, Abigaille in Nabucco.
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