Recent Stories
Anna is obviously over the flu!
“Oh yes, and there were seven naked men on the ground around her.”
Having recently reviewed Glass’s The Perfect American on this site and participated in spirited discussions about the film Saving Mr. Banks, it is perhaps not surprising that Walt Disney should spring to my mind as I watched the Unitel Classica video of Die Zauberflote from the floating stage of the Bregenzer Festspiele.
I’ve always had a fondness for Giacomo Puccini’s Suor Angelica and apparently so did he since he often referred to it as, “among the finest of my children.”
“Her sweetheart dresses in blue and has big feet.”
“If Maria Callas remains the prototype of the stormy operatic diva, then Renée Fleming is the anti-Callas.”
Did someone ask Jungfer Marianne Leizmetzerin for a real operatic rarity?
Italian conductor Claudio Abbado, former musical director of La Scala, has died at the age of 80.
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
The leading lady of the Bayerische Staatsoper’s production of La Calisto has taken to the Twitters to respond to the recent discussion of her comments about Miley Cyrus.
What better way to take a break from the hurly-burly than with a discussion of off-topic and general interest subjects?
The internecine machinations of those who ruled—or sought to rule—the Roman Empire have long provided rich material for writers and composers, and on Thursday evening operamission continued its ambitious plan to stage in chronological order all of Handel’s operas by presenting one of the most delicious of those Roman-based works, Agrippina which premiered in Venice in 1709.
After four years of delegating union talks to his predecessor, Joseph Volpe, Met honcho Peter Gelb will now lead negotiations himself.
Beneath the pageantry, the paeans to German art and the self-referential allusions to the creative process, Die Meistersinger is a story about a community and human qualities like love, friendship, envy and hatred.
In a press release that was obviously sent in 1985 and for some bizarre reason only just arrived an hour ago, Lyric Opera of Chicago has announced the production of a new Ring cycle with Sir Andrew Davis conducting and David Pountney directing.
Talkative divette Danielle de Niese helpfully explains that Miley Cyrus uses her sexuality for the wrong reasons.
Oh, we’ve a veritable stew of canards to feast upon this week, cher public, courtesy of our old friend Rupert Christiansen.
Talk of the Town
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
In what seems to be turning into an informal salute to Kathleen Battle (not pictured), our gem from the Mike Richter collection this week is a performance of Un ballo in maschera, featuring Jose Carreras and Katia Ricciarelli (pictured).
The celebrated “lost” issue of parterre box, the queer opera zine (now found, thanks to the avid cataloging of Indiana Loiterer III.)
“…a perfect marriage of text and music, creating a series of tableau-like scenes, as if Paul’s story is being related through a series of exquisitely posed still photographs…”
As part of its “Figaro Unbound: Culture, Power and Revolution at Play” series, Los Angeles Opera next season will present John Corigliano‘s The Ghosts of Versailles featuring soprano Patricia Racette as Marie Antoinette and Broadway legend Patti LuPone as the Turkish entertainer Samira.
Mary Garden, refused admission to several cities because the city fathers disapproved of her cigarette smoking and thought her no good influence for their young, will wear the somber nun’s costume in life even as she has worn it so often on the glittering stage.”
Outdoor arena opera always seems faintly ridiculous.
Goddess Anna Caterina Antonacci takes the “Sophia Loren” starring role in La Ciociara, a new work premiering at San Francisco Opera in June, 2015.
Jungfer Marianne Leizmetzerin delivers us a “veristic” treat this week: a complete performance of Adriana Lecouvreur with the gifted Georgian soprano Tamar Iveri in the title role.
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