Recent Stories
It’s mad! It’s gay! It’s Michael Fabiano singing “Come un bel dì di maggio” from Andrea Chénier!
One of the most striking uses of opera in television appears in HBO’s The Leftovers.
The Peruvian tenor Luigi Alva has died at 98.
An impressive cast blurs binaries as John Adams‘s ambitious Antony and Cleopatra arrives at the Met
I’m cheating by choosing TV over a movie, but I can’t not pick the Hamlet episode of Gilligan’s Island.
Chris’s Cache looks forward to next month’s Boston Early Music Festival with a comprehensive introduction to German Baroque featuring Sandrine Piau, Jennifer Larmore, and Joan Sutherland
Christopher Corwin on three stylish sopranos delighting audiences live in New York and on recording in a trio of new releases.
It’s a total fraud, but I have always loved Maytime‘s “Csaritza” a fake “MGM” opera based on themes from Tchaikovsky‘s 5th symphony.
Grand Tier Grab Bag
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Hunding, of Die Walküre notoriety, is the most misunderstood character in opera.
A live broadcast from New York
A brutal, chilling, gory final scene leading to a triumphant and goose bumps inducing final moments.
“Ebben, ne andro lontana” sung by Wihelmenia Wiggins Fernandez in Diva is a gorgeous woman in a beautiful dress singing a wonderful area in a legitimate concert venue. Great singing in my favorite French film.
parterre box presents for your comparing pleasure excerpts of three Italian sopranos trying their (poker) hands at Puccini’s Minnie: Carmen Giannatasio, Chiara Isotton, and Anna Pirozzi
Watching Fitzcarraldo at a very young age obviously turned me into a baby opera queen.
Talk of the Town
A favorite bass performance from La Grunowa
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
A favorite bass performance from Cornelia
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
A favorite bass performance from Bere Wendriner
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
A favorite bass performance from Ivy Lin
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
A favorite bass performance from Krunoslav
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
A favorite bass performance from Michael Landman-Karny
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
Bass-baritone Nicholas Brownlee is the winner of the $50,000 2025 Richard Tucker Award
An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
Max Ophuls, one of the greatest film directors, made masterpieces in French, German, English and Italian, as well as an amusing comedy in Dutch; he also clearly loved opera.
Brian Jadge will be replaced by Brandon Jovanovich in the upcoming revival of The Queen of Spades, announces the Met press office
This week’s Chris’s Cache presents an early May banquet of ten fine singers in eight vocal works of Gustav Mahler.
The terzettino from Così fan tutte makes an unexpected and unforgettable appearance in John Schlesinger‘s 1971 Sunday Bloody Sunday.
The Met Orchestra Chamber Ensemble’s Das Lied von der Erde skirts the sublime at Carnegie Hall
As opera and operetta “had a moment” in major Hollywood motion pictures starring the likes of Lawrence Tibbett, Jeannette MacDonald, and Nelson Eddy during the Great Depression, it made perfect sense that a canny showman like Mae West would want a piece of the action.