Sleepwalkers awake Sleepwalkers awake

La sonnambula at Teatro Nuovo overcomes uneven casting to highlight the many charms of Bellini’s bel canto masterpiece

Visible storage Visible storage

Performances of Pittori fiamminghi and Madama Butterfly in picturesque Castell’Arquato were a fine way to honor Luigi Illica, the city’s native son

The Nine Jewelled Deer The Nine Jewelled Deer

A new opera by Sivan Eldar and Ganavya Doraiswami from the Festival d’Aix-en-Provence

Change my mind about Parterre Box Change my mind about Parterre Box

Parterre Box over the last few years has become the MOST USELESS website.

The bodies keep score The bodies keep score

Music for New Bodies at Lincoln Center’s Running AMOC* Festival proves Matthew Aucoin really is everything he’s made out to be

Change my mind about Jake Heggie’s operas Change my mind about Jake Heggie’s operas

Jake Heggie writes operas like a Restoration Hardware couch—soft, expensive, and allergic to mess.

Tosca Tosca

Kristine Opolais, SeokJong Baek, and Bryn Terfel star in a live broadcast from Tanglewood

Die schweigsame Frau Die schweigsame Frau

Christian Thielemann conducts a live broadcast from Berlin

Change my mind about Anna Moffo Change my mind about Anna Moffo

The musical virtues of Anna Moffo have heretofore eluded me.

Pénélope Pénélope

Gabriel Fauré‘s opera in a live broadcast from Munich

Schön geschmückt und ganz allein! Schön geschmückt und ganz allein!

With the 2025 Bayreuth Festival beginning next week, Grand Tier Grab Bag spotlights the Eva of its opening Meistersinger: Christina Nilsson

Breaking the box Breaking the box

Jacquelyn Stucker talks to Kevin Ng about repertoire, tearing down the Fach system, and what it takes to make music from baroque to George Benjamin her own.

Change my mind about the Toscanini <em>Bohème</em> Change my mind about the Toscanini <em>Bohème</em>

It’s like making love with someone whose rap never ceases—and includes “helpful suggestions” about how you can be improving your game.

Troth or dare Troth or dare

Chris’s Cache would argue that Prokofiev’s Betrothal in a Monastery is a much more enjoyable alternative to the pandemic-canceled Barrie Kosky The Fiery Angel

Oedipe Oedipe

George Enescu‘s opera in a live broadcast from the Bregenz Festival

Le nozze di Picasso Le nozze di Picasso

Wolf Trap Opera kicked off its summer season with an inventive production of Wolfgang Amadeus Mozart’s Le Nozze di Figaro inspired by Pablo Picasso that showcased up-and-coming singers.

Change my mind about <em>The Last Savage</em> Change my mind about <em>The Last Savage</em>

Despite having endured premiers at the Santa Fe Opera, including Cold Mountain, Oscar, and The (R)evolution of Steve Jobs, all of which were disappointing on every level, Santa Fe Opera’s 2011 production of Menotti‘s The Last Savage is an opera I never care to see or listen to again.

Canonically ossified Canonically ossified

When such a canonically ossified work like Verdi’s Aïda is directed at all (let alone as ambitiously as Damiano Michieletto at the Maggio Musicale Fiorentino), it does feel like a completely different opera

Louise Louise

A performance of Gustave Charpentier‘s opera recorded last week at the Festival d’Aix-en-Provence

La Calisto La Calisto

A performance of Cavalli‘s opera recorded last week at the Festival d’Aix-en-Provence

Change my mind about Joan Sutherland’s Norma Change my mind about Joan Sutherland’s Norma

Joan Sutherland as Norma is something I’ve never been able to get.

Les contes d’Hoffmann Les contes d’Hoffmann

A live video broadcast from Zurich starring Saimir Pirgu in the title role

Don Giovanni Don Giovanni

A live broadcast from the Festival d’Aix-en-Provence

America runs on Duncan America runs on Duncan

The opening of Teatro Nuovo’s Macbeth next week is the first of two opportunities this year to hear the opera in its original 1847 Version