Recent Stories
Impossible to pick any one film clip, but it’s hard to imagine a more evocative use of operatic music than Lars von Trier‘s Melancholia.
Opera Parallèle is revisiting Stewart Wallace and Michael Korie’s Harvey Milk during Pride Month. It’s “not a reaction,” but it couldn’t be more timely.
I think Babette’s Feast is a more or less perfect film and has been my favorite since the first time I saw it.
The thing that inspires me about Pavarotti’s performance here is that this is the piece within the opera that everyone in the audience is waiting to hear.
Philippe Jaroussky conducts a performance recorded last month in Montpellier featuring Levy Sekgapane
Anna Paquin cries at the opera to the Barcarolle from Tales of Hoffmann (Renée Fleming and Susan Graham)
Ahead of tomorrow’s Live in HD, Michael Steinberg talks Leonore, Salome, and the “endemic misogyny” of Claus Guth‘s new production
Grand Tier Grab Bag
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Mediterranean crossings
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Ritorna un’altra volta
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
My sister’s keeper
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
It’s mad! It’s gay! It’s Michael Fabiano singing “Come un bel dì di maggio” from Andrea Chénier!
One of the most striking uses of opera in television appears in HBO’s The Leftovers.
The Peruvian tenor Luigi Alva has died at 98.
An impressive cast blurs binaries as John Adams‘s ambitious Antony and Cleopatra arrives at the Met
I’m cheating by choosing TV over a movie, but I can’t not pick the Hamlet episode of Gilligan’s Island.
Chris’s Cache looks forward to next month’s Boston Early Music Festival with a comprehensive introduction to German Baroque featuring Sandrine Piau, Jennifer Larmore, and Joan Sutherland
Christopher Corwin on three stylish sopranos delighting audiences live in New York and on recording in a trio of new releases.
It’s a total fraud, but I have always loved Maytime‘s “Csaritza” a fake “MGM” opera based on themes from Tchaikovsky‘s 5th symphony.
Talk of the Town
The best thing I saw in 2025 was Stiffelio
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
The best thing I saw in 2025 was Amartuvshin Enkhbat
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
The best things I saw in 2025 were vocal recitals
I’m going with four outstanding, deeply personal NYC recitals
I’m going with four outstanding, deeply personal NYC recitals
The best thing I saw in 2025 was In a Grove
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
The best thing I saw in 2025 was Festen
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
The best thing I saw in 2025 was Sunset Boulevard
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
Hunding, of Die Walküre notoriety, is the most misunderstood character in opera.
A live broadcast from New York
A brutal, chilling, gory final scene leading to a triumphant and goose bumps inducing final moments.
“Ebben, ne andro lontana” sung by Wihelmenia Wiggins Fernandez in Diva is a gorgeous woman in a beautiful dress singing a wonderful area in a legitimate concert venue. Great singing in my favorite French film.
parterre box presents for your comparing pleasure excerpts of three Italian sopranos trying their (poker) hands at Puccini’s Minnie: Carmen Giannatasio, Chiara Isotton, and Anna Pirozzi
Watching Fitzcarraldo at a very young age obviously turned me into a baby opera queen.