Weill Triptych Weill Triptych

Seven Deadly Sins, Mahagonny Singspiel, and The Songs of Happy End live from Milan

Reconcilable differences Reconcilable differences

Cameron Kelsall reports on a transcendent Jenufa from the Cleveland Orchestra

John Yohalem says you <em>must</em> watch <em>Something for Everyone</em> John Yohalem says you <em>must</em> watch <em>Something for Everyone</em>

Wagner is used as incidental music or background to probably more films than any other operatic composer.

The revolution will be digitized The revolution will be digitized

The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.

Three ages of woman Three ages of woman

Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’

James Grant says you <em>must</em> watch <em>Someone to Watch Over Me</em> James Grant says you <em>must</em> watch <em>Someone to Watch Over Me</em>

Some of you may remember the 1987 thriller Someone to Watch Over Me.

Tannhäuser Tannhäuser

Lydia Steier‘s production in a live video stream from Vienna

Mr. Portafiori says you <em>must</em> watch <em>Interrupted Melody</em> Mr. Portafiori says you <em>must</em> watch <em>Interrupted Melody</em>

Interrupted Melody was the wonderful biographical film about the singer Marjorie Lawrence. I thought it was a wonderful blending of opera with a 1950s Movie.

L’Orfeo L’Orfeo

Rolando Villazon stars in a performance of Monteverdi‘s opera from Salzburg’s Mozartwoche recorded in January

Antony and Cleopatra Antony and Cleopatra

John Adams‘s newest opera in a live broadcast from New York

Scott Grunow says you <em>must</em> watch <em>Humoresque</em> Scott Grunow says you <em>must</em> watch <em>Humoresque</em>

Tristan transcriptions for violin, piano, and orchestra.

The Queen of Spades The Queen of Spades

A live broadcast from New York

Written on Skin Written on Skin

George Benjamin‘s opera live from the Accademia Nazionale di Santa Cecilia in Rome

With noise and light With noise and light

Antony and Cleopatra is perhaps not the showcase Elizabeth DeShong deserves, so Grand Tier Grab Bag highlights the superlative mezzo in two clips

Niel Rishoi says you <em>must</em> watch <em>Maytime</em> Niel Rishoi says you <em>must</em> watch <em>Maytime</em>

Jeanette MacDonald singing in her movies got the ball rolling for my lifelong interest in opera.

Promising young women Promising young women

Ahead of her return to the Met, soprano Corinne Winters chats with Kevin Ng about her repertoire, overcoming biases about her voice type, and how she plans to play “energetic, young women” as long as she can.

Dawn Fatale says you <em>must</em> watch <em>Romance</em> Dawn Fatale says you <em>must</em> watch <em>Romance</em>

Greta Garbo as diva Rita Cavallini with an Italo-Swedish accent.

Satan keeps the beat Satan keeps the beat

With tight, jazzy orchestrations, a queer-coded Mephistopheles, and sassy modern recitative, Heartbeat Opera’s fast 100-minute Faust delivers Gounod in miniature, minus some of the schmaltz.

Ivy Lin says you <em>must</em> watch <em>Romeo + Juliet</em> Ivy Lin says you <em>must</em> watch <em>Romeo + Juliet</em>

I love the use of the Liebestod at the end of Romeo + Juliet. It’s such a lush, romantic way to end the movie. The most Baz Lurhmann thing ever.

Attila Attila

A live broadcast from Venice

Sweet birds of youth Sweet birds of youth

Buoyed by a cast of emerging stars, the Metropolitan Opera’s revival of Il Barbiere di Siviglia asserted a key trait of this ubiquitous buffo: it is a young person’s opera.

Cornelia says you <em>must</em> watch <em>Melancholia</em> Cornelia says you <em>must</em> watch <em>Melancholia</em>

Impossible to pick any one film clip, but it’s hard to imagine a more evocative use of operatic music than Lars von Trier‘s Melancholia.

Milk of human kindness Milk of human kindness

Opera Parallèle is revisiting Stewart Wallace and Michael Korie’s Harvey Milk during Pride Month. It’s “not a reaction,” but it couldn’t be more timely.